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  • The Mail & Guardian Johannesburg Literary Festival Opens September 2nd (South Africa)

    The Mail & Guardian Johannesburg Literary Festival Opens September 2nd (South Africa)

    Dates: 2 - 4 September 2011

    The Mail & Guardian Johannesburg Literary Festival hopes to be bigger and better this September. To mark the city’s 125th birthday the festival will focus on Jo’burg as both an African city and a world city. It has been titled: Five Quarters: Jo’burg at 125.

    Programme

    September 2

    Keynote address -- The Johannesburg moment
    Time: 6.30pm for 7pm
    Venue: Main Theatre
    Karl von Holdt

    September 3

    Session 1 -- Memory is the weapon
    Time: 9.30am to 11 am
    Venue: Main Theatre
    Chair: Nic Dawes
    Panel: Hugh Lewin
    Jay Naidoo
    Ronnie Kasrils

    Session 2 -- Jo'burg: Renewing, restoring, reviewing
    Time:11.30am to 1 pm
    Venue: Kippies
    Chair: Steven Sack
    Panel: Gerald Gardner
    Achille Mbembe
    Karl van Holdt

    Session 3 -- Memories of the city
    Time: 11.30am to 1pm
    Venue: Laager Theatre
    Chair: Jon Hyslop
    Panel: Ufrieda Ho
    Mbulelo Mzamane
    Chris van Wyk

    Session 4 -- Poetry
    Time: 1.30om to 2.15pm
    Venue: Kippies
    Ingrid de Kock and Denis Hirson

    Session 5 -- Workers of the world unite: Labour, the ANC and history
    Time: 2.30pm to 4pm
    Venue: Kippies
    Chair: Nic Dawes
    Panel: Kally Forrest
    Susan Booysen
    Jay Naidoo
    Moeletsi Mbeki

    Session 6 -- Science fiction and fantasy in the city
    Time: 2.30pm to 4pm
    Venue: Laager Theatre
    Chair: Gwen Ansell
    Panel: Lauren Beukes
    Louis Greenberg
    Sarah Lotz

    Session 7 -- Aspects of South African literature
    Time: 4.30pm to 6pm
    Venue: Laager Theatre
    Chair: Craig MacKenzie
    Jane Rosenthal
    Leon de Kock
    Karabo Kgoleng

    September 4

    Session 1 -- Not in black and white
    Time: 9.30am to 11am
    Venue: Main Theatre
    Chair:
    Panel: Sandile Memela
    Andile Mngxitama
    Antjie Krog

    Session 9 -- New writing from the city
    Time: 11.45am to 1pm
    Venue: Laager Theatre
    Chair: Maureen Isaacson
    Panel: Sifiso Mzobe
    Jassy Mackenzie
    Henrietta Rose-Innes

    Contact Information:

    For inquiries: book here

    Website: http://mg.co.za/specialreport/mg-jhb-literary-festival-2011

  • Welcomes Applications Related to Arts/ Humanities: The EURIAS Fellowship Programme (all countries eligible)

    Deadline: 7 June 2012

    The European Institutes for Advanced Study (EURIAS) Fellowship Programme is an international researcher mobility programme offering 10-month residencies in one of the 14 participating Institutes: Berlin, Bologna, Brussels, Bucharest, Budapest, Cambridge, Helsinki, Jerusalem, Lyons, Nantes, Paris, Uppsala, Vienna, Wassenaar. The Institutes for Advanced Study support the focused, self-directed work of outstanding researchers. The fellows benefit from the finest intellectual and research conditions and from the stimulating environment of a multi-disciplinary and international community of first-rate scholars.

    EURIAS Fellowships are mainly offered in the fields of the humanities and social sciences but may also be granted to scholars in life and exact sciences, provided that their proposed research project does not require laboratory facilities and that it interfaces with humanities and social sciences. The diversity of the 14 participating IAS offers a wide range of possible research contexts in Europe for worldwide scholars. Applicants may select up to three IAS outside their country of nationality or residence as possible host institutions.

    The Programme welcomes applications worldwide from promising young scholars as well as from leading senior researchers. The EURIAS selection process has proven to be highly competitive. In order to match the Programme standards, applicants have to submit a solid and innovative research proposal, to demonstrate the ability to forge beyond disciplinary specialisation, to show an international commitment as well as quality publications in high-impact venues.

    For the 2013-2014 academic year, EURIAS offers 33 fellowships (17 junior and 16 senior positions).

    All IAS have agreed on common standards, including the provision of a living allowance (in the range of € 26,000 for a junior fellow and € 38,000 for a senior fellow), accommodation (or a mobility allowance), a research budget, plus coverage of travel expenses.

    APPLICATION AND DEADLINE

    – Applications are submitted online via www.eurias-fp.eu, where, you will find detailed information regarding the content of the application, eligibility criteria, selection procedure, etc.
    – The deadline for application is June 7th, 2012. Late applications will not be considered.

    SELECTION PROCEDURE

    – Scientific assessment by two international referees
    – Pre-selection by the EURIAS international Scientific Committee
    – Final selection by the IAS academic boards
    – Publication of results (December 2012)

    CALENDAR OF ACTIONS

    Application deadline → June 7th, 2012

    Results of the preselection by EURIAS Scientific Committee → Mid-October, 2012

    Publication of IAS final selections → Mid-December, 2012

    Arrival of fellows → September/October 2013

    ELIGIBLITY

    Degree

    At the time of the application, researchers must be in possession of a doctoral degree plus 2 years of full-time research experience after the degree. Exception is made for Law scholars who are eligible with a Master +6 years of full-time research experience after the degree. (PhD training is not considered in the calculation of experience).

    Nationality

    Researchers from all countries are eligible to the programme but applicants cannot apply to an institute located in their country of nationality or residence. Exception is made for applicants who have not spent more than 12 months in their country of nationality or residence during the last 3 years prior to the application.

    Disciplines

    The programme is open to all disciplines in the fields of humanities and social sciences.

    It also welcomes applications from the arts, life and exact sciences provided that:

    • the research project does not require any intensive laboratory work,
    • the research project interfaces with humanities and social sciences,
    • the applicant has a proven capacity to dialogue with other scientific disciplines,
    • the candidate applies to an IAS that welcome scholars outside the humanities and social sciences.

    Applicants are strongly encouraged to check the IAS’ websites to learn more about the scientific orientation of the Institutes and their potential opening to disciplines outside the humanities and social sciences.

    Age

    There is no age limit for applying to EURIAS Fellowship Programme.

    TYPES OF FELLOWSHIPS

    The EURIAS Fellowship Programme offers two types of 10-month fellowships according to research experience:

    Junior fellowships

    Junior fellowships are offered to researchers having by the time of the application:

    • a PhD

    • 2 to 9 years of full-time research experience after obtaining the PhD

    Senior fellowships

    Senior fellowships are offered to researchers having by the time of the application:

    • a PhD

    • minimum 10 years of full-time research experience after obtaining a PhD

    Nota: PhD is not requested for Law scholars. In this case, the fellowship categories are defined as follows:

    • Junior fellowships: Master +6 to 13 years of full-time research experience.

    • Senior fellowships: Master + minimum 14 years of full-time research experience.

    HOW TO APPLY

    Candidates apply exclusively through the online application system.

    Paper applications are not accepted.

    Please create an account via the user space to access the application platform.

    In order to provide evaluators with relevant information to perform their work efficiently, EURIAS fellowship applicants have to submit:

    • The completed EURIAS application form
    • A curriculum comprising a list of publications
    • Publications in a pdf format (2 for juniors, 5 for seniors)
    • A detailed research proposal
    • For candidates applying for junior fellowships, two letters of recommendation.

    Applicants are required to specify the following in their proposals:

    • The relevance and connections of the research to a wider academic context
    • The aims and methods of research
    • The current state and schedule of their research
    • The cooperation partners, including national and international contacts, when applicable
    • The interdisciplinary dimension of the research, if relevant
    • The importance of trans-national mobility for achieving research objectives
    • Their motivation for participating in the programme
    • Issues concerning research ethics, if relevant

    Applicants are required to indicate up to three IAS as the most adequate host institutions in the order of preference and to justify their choices.

    CONTACT INFORMATION:

    For inquiries: mylene.trouve@eurias-fp.eu

    For submissions: create an account here to access the application platgorm

    Website: http://www.2013-2014.eurias-fp.eu/

  • Deadline June 7 | Welcomes Applications Related to Arts/ Humanities: The EURIAS Fellowship Programme (all countries eligible)

    Deadline: 7 June 2012

    The European Institutes for Advanced Study (EURIAS) Fellowship Programme is an international researcher mobility programme offering 10-month residencies in one of the 14 participating Institutes: Berlin, Bologna, Brussels, Bucharest, Budapest, Cambridge, Helsinki, Jerusalem, Lyons, Nantes, Paris, Uppsala, Vienna, Wassenaar. The Institutes for Advanced Study support the focused, self-directed work of outstanding researchers. The fellows benefit from the finest intellectual and research conditions and from the stimulating environment of a multi-disciplinary and international community of first-rate scholars.

    EURIAS Fellowships are mainly offered in the fields of the humanities and social sciences but may also be granted to scholars in life and exact sciences, provided that their proposed research project does not require laboratory facilities and that it interfaces with humanities and social sciences. The diversity of the 14 participating IAS offers a wide range of possible research contexts in Europe for worldwide scholars. Applicants may select up to three IAS outside their country of nationality or residence as possible host institutions.

    The Programme welcomes applications worldwide from promising young scholars as well as from leading senior researchers. The EURIAS selection process has proven to be highly competitive. In order to match the Programme standards, applicants have to submit a solid and innovative research proposal, to demonstrate the ability to forge beyond disciplinary specialisation, to show an international commitment as well as quality publications in high-impact venues.

    For the 2013-2014 academic year, EURIAS offers 33 fellowships (17 junior and 16 senior positions).

    All IAS have agreed on common standards, including the provision of a living allowance (in the range of € 26,000 for a junior fellow and € 38,000 for a senior fellow), accommodation (or a mobility allowance), a research budget, plus coverage of travel expenses.

    APPLICATION AND DEADLINE

    – Applications are submitted online via www.eurias-fp.eu, where, you will find detailed information regarding the content of the application, eligibility criteria, selection procedure, etc.
    – The deadline for application is June 7th, 2012. Late applications will not be considered.

    SELECTION PROCEDURE

    – Scientific assessment by two international referees
    – Pre-selection by the EURIAS international Scientific Committee
    – Final selection by the IAS academic boards
    – Publication of results (December 2012)

    CALENDAR OF ACTIONS

    Application deadline → June 7th, 2012

    Results of the preselection by EURIAS Scientific Committee → Mid-October, 2012

    Publication of IAS final selections → Mid-December, 2012

    Arrival of fellows → September/October 2013

    ELIGIBLITY

    Degree

    At the time of the application, researchers must be in possession of a doctoral degree plus 2 years of full-time research experience after the degree. Exception is made for Law scholars who are eligible with a Master +6 years of full-time research experience after the degree. (PhD training is not considered in the calculation of experience).

    Nationality

    Researchers from all countries are eligible to the programme but applicants cannot apply to an institute located in their country of nationality or residence. Exception is made for applicants who have not spent more than 12 months in their country of nationality or residence during the last 3 years prior to the application.

    Disciplines

    The programme is open to all disciplines in the fields of humanities and social sciences.

    It also welcomes applications from the arts, life and exact sciences provided that:

    • the research project does not require any intensive laboratory work,
    • the research project interfaces with humanities and social sciences,
    • the applicant has a proven capacity to dialogue with other scientific disciplines,
    • the candidate applies to an IAS that welcome scholars outside the humanities and social sciences.

    Applicants are strongly encouraged to check the IAS’ websites to learn more about the scientific orientation of the Institutes and their potential opening to disciplines outside the humanities and social sciences.

    Age

    There is no age limit for applying to EURIAS Fellowship Programme.

    TYPES OF FELLOWSHIPS

    The EURIAS Fellowship Programme offers two types of 10-month fellowships according to research experience:

    Junior fellowships

    Junior fellowships are offered to researchers having by the time of the application:

    • a PhD

    • 2 to 9 years of full-time research experience after obtaining the PhD

    Senior fellowships

    Senior fellowships are offered to researchers having by the time of the application:

    • a PhD

    • minimum 10 years of full-time research experience after obtaining a PhD

    Nota: PhD is not requested for Law scholars. In this case, the fellowship categories are defined as follows:

    • Junior fellowships: Master +6 to 13 years of full-time research experience.

    • Senior fellowships: Master + minimum 14 years of full-time research experience.

    HOW TO APPLY

    Candidates apply exclusively through the online application system.

    Paper applications are not accepted.

    Please create an account via the user space to access the application platform.

    In order to provide evaluators with relevant information to perform their work efficiently, EURIAS fellowship applicants have to submit:

    • The completed EURIAS application form
    • A curriculum comprising a list of publications
    • Publications in a pdf format (2 for juniors, 5 for seniors)
    • A detailed research proposal
    • For candidates applying for junior fellowships, two letters of recommendation.

    Applicants are required to specify the following in their proposals:

    • The relevance and connections of the research to a wider academic context
    • The aims and methods of research
    • The current state and schedule of their research
    • The cooperation partners, including national and international contacts, when applicable
    • The interdisciplinary dimension of the research, if relevant
    • The importance of trans-national mobility for achieving research objectives
    • Their motivation for participating in the programme
    • Issues concerning research ethics, if relevant

    Applicants are required to indicate up to three IAS as the most adequate host institutions in the order of preference and to justify their choices.

    CONTACT INFORMATION:

    For inquiries: mylene.trouve@eurias-fp.eu

    For submissions: create an account here to access the application platgorm

    Website: http://www.2013-2014.eurias-fp.eu/

  • Write Time Screen Writers' Workshop (Nigeria)

    Dates: 2 - 23 June 2012 (Saturdays)

    These are the workshop details for Write Time Screen Writers' Workshop that we posted earlier (click here).

    Day 1: Saturday 2nd June 2012
    Topic: Writing Effective Screenplays
    Time: 11:00 am- 2:00 pm
    Lunch break: 2:00pm- 2:30pm
    Film review: 2:30pm- 4: 00pm
    Film title: Stronger Than Pain
    Interactions: 4:00pm-5:00pm
    Facilitator: Reginald Ebere

    Day 2: Saturday 9th June 2012
    Topic: What to Write
    Time: 10:00 am-1:00[m
    Lunch break: 1:00pm- 1:30pm
    Film Review
    Film title: Marital Confusion
    Time: 1:30pm-3: 30pm
    Interactions: 3:30pm- 5:00pm
    Facilitator: Chief Tunde Oloyode

    Day 3: Saturday 16th June 2012
    Topic: Industry Networking
    Time: 10:00 am- 1:00 pm
    Lunch break : 1: 00 pm-1:30 pm
    Film Review
    Film title: Mr and Mrs
    Time: 1:30pm- 3:30pm
    Interactions
    Facilitator: Yinka Ogun

    Day 4: Saturday 23rd June 2012
    Script Market
    Time: 10:00 am- 1:00 pm
    Lunch Break: 1:00pm- 1:30pm
    Invitations
    Tchidi Chikere, Ernest Obi, Ikechukwu Onyeka, Launcelot Odua Imasuen, Charles Inojie, Andy Amenechi, Mercy Johnson, Kate Henshaw, Mike Ezuronye

    Registration:

    • Workshop: N15,000. 00
    • Scripts For Scriptmarket: N10,000. 00 per script, 12,500 (2 scripts) 15,000 (3 scripts and more)

    Register at 33 Modupe Johnson Street, Adeniran Ogunsanya, Surulere, Lagos. Registrations open on Monday, 21 May 2012. Only 50 spaces available.

  • New Book: A Time To Heal by Seye Oke

    New Book: A Time To Heal by Seye Oke

    A Time to Heal (2011) is an inspirational novel set in Historical Africa of the early 60’s. The story borders on the tale of two young lovers, Tori and Chidi, bond by the covenant of marriage but separated by the realities of ethnic differences. A Time to Heal is a bold story that sets out to show the healing power of forgiveness and love. Embracing the multi-cultural nature of the African society to appreciate its diversity and re-evaluate its glitches, A Time to Heal casts a flood light on the debris that weakens the development of our societies starting with the smallest and most significant unit, the family. This creative work takes readers through a journey of uncertainties and excitement as it narrows in on the triumphs and failure experienced by Toriola and Chidi in the face of a civil war.

    In A Time to Heal, Chidi finds the very essence of his existence tested when he is called on to fulfill a family obligation that exists beyond his nuclear family. He finds himself on a journey of self-discovery as his close companions, Dozie, Azuka and Jude, lure him to fight for a course he has no faith in. Chidi’s decision excludes Tori from his plans and ultimately from his life. In search for consolation, companionship and support, Tori rekindles her soured relationship with her parents, and clutches to the warmth offered by a stranger. The individual paths chosen by this young couple widens as time pass by, as each struggle to understand and uphold their new found ‘self’. Chidi gives in to the clarion call of his kindred to join in the fight for their recognition and respect against superior forces, leaving Tori to re-discover the true meaning of family, loyalty and love. Consumed by the heart ache of loneliness, Tori question every value she had ever upheld as she finds herself torn between loving another and waiting for the one that betrayed her love.

    A Time to Heal tells a compelling truth simplified to inspire the average reader in an enchanting yet revolutionary way. This book is now available in soft back, hard back cover and eBook format from Amazon, Barnes and Noble, Westbow Press and other online resellers.

    Website: Find the book on Amazon here

    An online PhD in writing or literature is an option for people who have a passion for books. Superior writing such as this often requires advanced knowledge and training.

  • Paying Market: Scifia (pay: $25 per story)

    Scifia is a science fiction publishing entity committed to promoting best practices among human beings for furthering the development of the consciousness and technological prowess of the human race.

    THE YES-YES LIST

    Scifia is open to most subgenres. This includes hard scifi, political scifi, psychological scifi, sci-comedy, sci-horror, and sociological scifi. However, we are actively seeking submissions of the following kinds:

    • Alien protagonist – Any story where the main character is an alien, particularly those told from the alien’s POV
    • Alternate universe – Any story for which the many worlds theory has to be true within the universe of the story or any alternate history story which does not fall into a category on the NO-NO list (see below)
    • Cyber – Any story where if someone asked you what subgenre your story fits into, you could easily fit a “cyber” into your description
    • Elections – Alien elections, intergalactic elections, elections of military leaders, elections of humans to political office etc.
    • Extinct creatures – Any science fiction story featuring an organism currently known or believed to be extinct
    • GLBTQI – Any science fiction story featuring a main character who is gay, lesbian, transgendered, queer, intersex or otherwise possessed of a sexuality, sexual morphology, gender identity or gender expression which is not describable as “heterosexual,” “male,” “female,” “man,” or “woman” as traditionally misunderstood.
    • Time travel – Yes, we want time travel stories. Believe it or not. But please no: grandfather paradoxes, “Time Patrol” rip-offs, or stories where the invention of time travel requires that time travel already exists

    I WANT TO HELP THE HUMANS; HOW DO I SUBMIT?

    If you have a great story that you think would be suitable for Scifia, click the "Submit to Scifia" button below. You will be taken directly to our submission form.

    Do not include a bio or history of prior publication. Submissions will be evaluated on the basis of quality and marketability.

    HOW CAN I MAXIMIZE MY CHANCES OF GETTING A STORY ACCEPTED?

    When reviewing works of science fiction, our editor has two fundamental questions in mind:

    • Is this an example of good writing in general?
    • Is this story enhanced in a meaningful way by its science fiction element(s)?

    If the answers to the above two questions are “yes,” the odds are that your story will eventually find a home in a publication. Whether that’s one of our publications will largely depend on whether your story fits our current needs.

    THE NO-NO LIST

    Please do not send:

    • 2nd person POV stories
    • American Civil War alternate history stories
    • Any story featuring elves, fairies, gnomes etc. in a purely fantasy setting
    • Any story featuring vampires of any kind in any setting
    • Any story making more than passing reference to the “laws of robotics”
    • Fan fiction of any kind
    • FanboyZ in space!
    • Grandfather paradoxes
    • Poetry (unless you are Rimbaud or Bukowski)
    • Pure horror
    • Stories without a clear beginning, middle and end

    This is not to say that such stories cannot make for innovative, exciting science fiction. It is to say that such stories would be better placed elsewhere.

    HOW DO I GET PAID?

    Authors will be paid $25 via PayPal upon acceptance, for any story of any length.

    Royalty pay is on the following schedule:

    An ISSUE is any collection of stories and/or articles packaged together for sale in any electronic or print format, with the exception of the Scifia website(s) and any Scifia related promotional materials.

    For any author who submits an accepted story prior to September 1, 2012 a 30% royalty on net receipts for any Scifia ISSUE within which the accepted work appears will be split equally between authors contributing to that ISSUE. This royalty will be paid on a quarterly basis for twelve months following the first publication of said story in any ISSUE in which it appears.

    If you are thinking about submitting a work that has not been previously published, keep in mind that most publications will not publish pieces that have been previously published in print, eBook, or on the web. After we publish your work, it can only be marketed as a reprint. This severely limits the number of markets that will accept it, and drastically reduces the pay rate it can receive. It is up to you, as an author who has likely worked many hours to produce your work, to decide if publishing your piece in ebook, epub, ibook, audiobook, podcast and/or webcomic format(s), and giving up your First Publishing Right for a mere $25 and your share of 30% of net receipts, is really what you want to do.

    WHAT RESPONSE TIME SHOULD I EXPECT?

    You should receive word regarding your submission within four weeks of sending your initial email. If you have not heard back in four weeks time, you should inquire at: submissions@scifia.com.

    SIMULTANEOUS SUBMISSIONS AND PREVIOUSLY PUBLISHED STORIES

    Simultaneous submissions are discouraged. That said, we have no problem publishing a story that is going to appear in another publication or that has already done so. What we don’t want is the scenario where we suddenly find out that we cannot publish a story that you submitted and we accepted without incurring a large headache. Let us know immediately if a story you have submitted to Scifia has been accepted elsewhere.

    RIGHTS

    Upon acceptance of your submission, Scifia reserves the NONEXCLUSIVE right to publish your content for sale in any format, including but not limited to ebook, epub, ibook, audiobook, podcast and webcomic. You retain the right to do the same and to sell anyone else the NONEXCLUSIVE right to also publish your work. We do not even ask that you refrain from self-publishing your content during any period of time. (Courtesy link-backs, however, are always appreciated, where applicable.) Go ahead and sell yourself. We will sell you too.

    Scifia will make no substantive alterations to your work’s text or title without your express approval.

    CONTACT INFORMATION:

    For queries: submissions@scifia.com

    For submissions: via submishmash

    Website: http://www.scifia.com/

  • The £1,000 Cambridge University Press ESU New Writing Award for ELT (worldwide)

    Deadline: 22 July 2011

    Win the chance to write for Cambridge University Press, along with a cash prize of £1000

    Have you developed an innovative and engaging way to assess your learners' progress as they learn English? Have you successfully used this material in your classroom?

    The inaugrual Cambridge ESU New Writing Award (2011) for ELT will focus on materials that help teachers and students assess their learning.

    Each year, the award will focus on a different area of language learning. We are looking for evidence of applicants' writing style and capabilities, along with a demonstration of how the materials improve learning outcomes, with a view to inviting the winner to join our team of authors. Cambridge University Press will not necessarily publish the winning material itself.

    We particularly welcome applications which show an understanding of how digital resources can help learning.

    Applicants should submit the following:

    1. An outline of your materials; what they are, howe they are to be used and how they use assesment to improve students' learning (Max 250 words)

    2. A sample of the material (Max one double-page spread or equivalent)

    Pleae note: Applicants do not have to be native speakers of English, nor do they have to be speakers of British English. An understanding of, and sympathy with, the globalization of English is an essential requirement. You should be able to work as part of an author team, and be confident at presenting your material to a variety of people.

    Submit your entry, along with your contact details (name, address, email address and telephone number) to education@esu.org.

    If you would prefer to submit your entry by post, please send all documentation to:

    New Writing Award
    Education Department
    The English-Speaking Union
    37 Charles Street
    London W1J 5ED
    United Kingdom

    ESU New Writing Award: Competition Rules

    1. This competition is run by the English-Speaking Union and is sponsored by Cambridge University Press.

    2. The competition is open to entries from around the world. You do not need to be a native speaker of English, nor a speaker of British English.

    3. Entrants should be at least 18 years old. Only one entry per person.

    4. To enter please submit:

    (i) an outline of your English Language Teaching materials (‘the Material’) (including information of what the Material is, how it is to be used, and how it uses assessment to improve students’ learning);

    (ii) a sample of the Material (a maximum of one double-page spread or equivalent);

    (iii) contact details, including name, email, address and contact number.

    5. The deadline for entry to the competition is 22nd July 2011.

    6. The winner will be selected by a panel of judges comprised of experts selected by Cambridge University press and the English-Speaking Union.

    7. The winner will be contacted by the English-Speaking Union after the closing date. The winner will be publicly announced at the English-Speaking Union award ceremony.

    8. The winner will receive a cash prize of £1,000, or payable in equivalent local currency at Cambridge’s sole discretion, and shall be given the opportunity to join the team of English Language Teaching authors working for Cambridge University Press, with the potential to author future English Language Teaching courses for Cambridge University Press, subject to any author contract and terms and conditions to be determined at the time.

    9. The Material shall be original to you; shall not have been previously published; shall contain nothing that is in any way an infringement of any existing copyright or licence; and shall contain nothing libellous or unlawful.

    10. Cambridge University Press and the English-Speaking Union will destroy all Material that is not selected as winning Material. Cambridge University Press will not be able to return any unsuccessful Material to you.

    11. Cambridge University Press and the English-Speaking Union will not publish or make any other use of the Material without your prior consent.

    12. Employees of Cambridge University Press, the English-Speaking Union and associated companies will not be eligible to participate.

    13. By entering the competition you are permitting Cambridge University Press to contact you from time to time with details of other products and services that may be of interest to you in the subject of English Language Teaching.

    14. By entering the competition you are permitting the English-Speaking Union to contact you from time to time with details of other products and services that may be of interest to you in the subject of English Language Teaching.

    15. By entering the competition you are permitting Cambridge University Press to transfer your personal details to other Cambridge University Press branches throughout the world, namely Europe, America, Australia and Asia. You should be aware that some branches of Cambridge University Press are in countries which do not have data protection laws.

    16. By entering the competition you are permitting other Cambridge University Press branches to contact you from time to time with details of other Cambridge products and services that may be of interest to you in the subject of English Language Teaching. However Cambridge University Press will only share your data with another branch if it best covers your normal place of residency (e.g. Europe, Americas).

    17. Cambridge University Press will not sell your personal information to others or release it to others without your prior consent, and will only use your personal data as outlined in our privacy policy (see: http://www.cambridge.org/policy/privacy/ ).

    18. The English-Speaking Union will not sell your personal information to others or release it to others without your prior consent, and will only use your personal data as outlined in its privacy policy.

    19. Cambridge University Press reserves the right, at the discretion of its official representatives, to declare any competition null and void and stage another competition in its place.

    20. Entry into this competition constitutes acceptance of these Terms and Conditions.

    21. These terms and conditions are governed by the laws of England.

    Contact Information:

    For inquiries: education@esu.org

    For submissions: education@esu.org

    Website: http://www.cambridge.org/ph/elt/

  • Tourism Queensland/ ProBlogger Blogging Competition (worldwide)

    Deadline: 17 April 2012

    Ten lucky bloggers will win a five-day, all-expenses paid trip to Queensland, Australia including return economy-class air tickets, accommodation, excursions to some of Queensland’s bucket-list attractions like the Great Barrier Reef, meals, and two close-encounter workshops with me. The event will run from June 5 until June 10, 2012, not including travel time.

    In return for seeing some amazing sights, tasting some modern Aussie tucker (food), and meeting some wonderful characters, we’ll put aside time for you to create content (a minimum of two blog posts complemented by tweets, videos, photography, status updates, or podcasts) for you to share with your audience. The content will later be featured on the Tourism Queensland blog.

    Please note that this prize is open only to bloggers over the age of 18.

    TERMS & CONDITIONS

    By submitting an entry, you shall be deemed to have accepted the following terms and conditions.

    1. Entries which do not fulfil the criteria will be rejected. For the purposes of the competition, an “Entrant” is defined broadly to include any blogger. Entrants must meet the following eligibility criteria:

    (i) Entrants must be over the age of 18 years.

    (ii) Entrants must not be engaged in any illegal or immoral activities which are likely to bring Tourism Queensland or its partners into disrepute.

    (iii) entries will not be accepted from Tourism Queensland’s partners, sponsors and other agencies associated with the competition.

    (iv) all winning Entrants will require good physical and mental health to undertake the activities on offer.

    (v) all Entrants must have a solid understanding of the English language to understand and undertake activities covered in the workshops.

    2. To enter the competition, you must submit your entry with your contact details to the competition website at ProBlogger.net/queensland-entries

    3. The competition opens at 07.05 Australian Eastern Standard Time (AEST) on Tuesday 3rd April 2012 and closes at 23.59 (AEST) on Tuesday 17th April, 2012. Any entries received by ProBlogger or Tourism Queensland after the closing time, including delayed or misdirected entries, or entries which are not received due to server function or technical difficulties, will not be accepted.

    4. Entrants may submit only one entry to be eligible.

    5. Selection of the best final 10 Entrants will be declared winners by a panel of judges selected by Tourism Queensland. The panel’s decision is final and no correspondence will be entered into concerning the selection process.

    6. The Top 10 winners will be contacted by telephone or email on Tuesday, 24th April, 2012 (AEST) by a Tourism Queensland representative.

    7. All winning Entrants must confirm their attendance to the Tourism Queensland Problogger Great Barrier Reef Event (“the Event”) by 27th April, 2012 or the judging panel may review the decision at the discretion of Tourism Queensland.

    8. The Event is scheduled to occur from June 5 – June 10, 2012, however this is subject to change at Tourism Queensland’s discretion and hotel availability. These dates exclude travel time to and from Queensland, Australia.

    9. The prize must be taken at the nominated time and pre and post touring extensions will not be permitted. Any changes to the flight arrangements once confirmed, must be borne by the individual.

    10. Winning Entrants must be present in Queensland for the entire itinerary period from June 5 until June 10, 2012. The prize includes:

    (i) return travel for the winners from their nearest international airport to Queensland by carrier/s to be nominated by Tourism Queensland.

    (ii) all accommodation, ground transfers and main meals for the duration of the itinerary by a selection of providers to be nominated by Tourism Queensland.

    (iii) two blogging workshops conducted in English language, requiring a working knowledge of the language.

    (iv) two days of adventure in Cairns and the Great Barrier Reef.

    (v) various experiences, day tours, activities and most entertainment.

    CONTACT INFORMATION:

    For submissions: use the entry form here

    Website: http://www.tq.com.au/

  • Deadline May 31 | The Guardian - Hot Key Books Young Writers Prize (worldwide)

    Deadline: 31 May 2012

    (Note: The Guardian - Hot Key Books Young Writers Prize is open to writers residing anywhere in the world. The publishing contract with the winners will be in line with industry standards and a royalty advance of £10,000 will be offered.)

    The Guardian and Hot Key Books are launching a search for the next generation of writers of children’s fiction with the Guardian Hot Key Books Young Writers Prize.

    We are looking for new young writers between the ages of 18 and 25, who write in either of two categories: for ages 9-12 or 13-19. Entrants should be unpublished talents new to the literary world that are passionate about writing for children. The winners, one for each age category, will be selected by a panel of judges who will consult with school children. Each winner will be given editorial support and the chance to be published by Hot Key Books.

    A judging panel comprising of representatives from the Guardian, Hot Key Books, booksellers, school children and authors representing both age groups will be announced at the end of April. Submissions of partial manuscripts will be accepted from 30 April and close on 31 May, with a second stage of full manuscripts in October.

    Competition entries should be sent to
    youngwritersprize@hotkeybooks.com before 31st May. No paper entries will be accepted.

    COMPETITION RULES

    GENERAL

    1. The Guardian Hot Key Books Young Writers Prize competition ("Competition") will be governed by these competition rules ("Competition Rules"). By completing an application form and submitting that form together with an entry to the Competition, entrants agree that they have read and understood the Competition Rules and will be bound by them.

    2. The promoter of the Competition is Hot Key Books Limited (company number: 07735953), whose business address is Northburgh House, 10 Northburgh Street, London EC1V 0AT ("Hot Key Books"). Hot Key Books' media partner is the Guardian newspaper ("the Guardian").

    3. Hot Key Books reserve the right to exclude entrants and withhold prizes for any breach of any of the Competition Rules.

    4. The relevant panel of judges for each category in the Competition may decide, in their absolute discretion, that none of the entries are suitable for publication and award an alternative prize in accordance with these Competition Rules.

    TIMINGS

    1. The Competition will run from midnight (UK time) on Monday 30 April 2012 to midnight (UK time) on Monday 15 April 2013.

    2. The Competition will have four stages:

    Stage 1 – Submissions will be accepted from midnight (UK time) on Monday 30 April 2012. The closing date for submissions will be midnight (UK time) on Thursday 31 May 2012.

    Stage 2 – Hot Key Books will notify 10 longlisted entrants in the 9-12 category and 10 longlisted entrants in the 13-19 category by midnight (UK time) on Friday 21 September 2012. Full manuscripts will be submitted by those 20 (in total) longlisted entrants by midnight on Monday 1 October 2012.

    Stage 3 – Hot Key Books will notify 5 shortlisted entrants in the 9-12 category and 5 shortlisted entrants in the 13-19 category by midnight on Monday 26 November 2012, to include a draft form of publishing contract with Hot Key Books for review. The entry manuscripts from those 10 (in total) shortlisted entrants will be sent out by Hot Key Books to the relevant judging panel on Monday 3 December 2012. Any shortlisted entrants wishing to withdraw from the Competition at this stage will notify Hot Key Books by midnight on Friday 30 November 2012.

    Stage 4 – Hot Key Books will notify Competition Prize winners by midnight (UK time) on Friday 1 March 2013. The deadline for Prize winners to acknowledge the email from Hot Key Books notifying them that they have won will be midnight (UK time) on Friday 8 March 2013. Winners will be announced by Hot Key Books at the London Book Fair 2013 between Monday 15 and Wednesday 17 April 2013.

    ENTRY CRITERIA

    1. The Competition is open to writers residing anywhere in the World aged 18 or over but under 26 at the time of submission of an entry in accordance with the submission criteria below. Staff of Hot Key Books or the Guardian and their respective associated, affiliate or subsidiary companies, and their families, agents, or anyone connected in any way whatsoever with this Competition, are not permitted to submit an entry.

    2. Entry is limited to one (1) submission per eligible person. Entries must be by electronic submission to the Competition's designated email address youngwritersprize@hotkeybooks.com. Submissions by post or hand delivery will be void and will not be returned.

    3. Apart from the manuscripts of those entrants who are offered a publishing contract with Hot Key Books, all other manuscripts held by Hot Key Books and the Guardian will be destroyed following the Competition.

    SUBMISSION CRITERIA

    1. Entries must be the unaided original work of the entrant and not previously commercially published and/or distributed, and must not infringe the rights of third parties or be libellous, defamatory or obscene. The entrant must not previously have had commercially published any work of fiction, but may have had published an essay, story or poem in an anthology. Self-published works are allowed but entrants must not have published under any other name, nor must they have ghost-written a published work of fiction. The entrant must personally submit the entry.

    2. Entries are not permitted from any entrant who has an agent. In addition, any entrant who appoints an agent during the Competition must immediately notify Hot Key Books and will be withdrawn from the Competition.

    3. Entrants are permitted to enter the same manuscripts for other competitions, but must immediately notify Hot Key Books if they are shortlisted for such competitions and Hot Key Books reserve the right to withdraw such entrants from the Competition.

    4. The Stage 1 submission will be the first 4,000 (four thousand) words of a manuscript. No substitutions will be accepted once the entry has been made.

    5. The entry must be made in either the 9-12 category or the 13-19 category. Hot Key Books reserve the right to move entries between categories if deemed appropriate.

    6. Each entry must be submitted together with a brief synopsis. The synopsis should be no more than one (1) page and should give an overview of the complete story including key characters, events, themes and settings.

    7. Entries must be in the English language on a Word or PDF document in 12 point type, double-spaced and with numbered pages, and include the name of the entrant and the manuscript title on each page. Each entry and an application form must be attached to the body of the email. Entries set out within the body of the email will not be accepted and will be void.

    SELECTION CRITERIA

    1. All Stage 1 entries will be read by members of the Hot Key Books team who will then select a longlist of 10 entries for the 9-12 category and 10 entries for the 13-19 category (a total of 20 entries) who will then move onto Stage 2.

    2. Stage 2 - Hot Key Books will notify each of the longlisted entrants by email and will require them to submit the full manuscript pertaining to their entry. Out of the 20 longlisted entrants (10 in each category), a final shortlist of 5 entries for the 9-12 category and 5 entries for the 13-19 category (a total of 10 entries) will be chosen by senior members of the Hot Key Books editorial team who will then move onto Stage 3.

    3. Stage 3 - Hot Key Books will notify each of the shortlisted finalists by email and will submit the 5 9-12 category entry manuscripts to the 9-12 panel of judges and will submit the 5 13-19 category entry manuscripts to the 13-19 panel of judges. The shortlisted finalists must provide Hot Key Books with proof of their age by way of a copy of a passport, driving licence or otherwise, to be sent by email to youngwritersprize@hotkeybooks.com.

    4. The shortlisted finalists will receive details of the Competition Prize, namely a draft form of publishing contract with Hot Key Books for review. If a finalist decides to withdraw from the Competition at this stage, they will notify Hot Key Books by email to the designated email address (youngwritersprize@hotkeybooks.com).

    5. Stage 4 - The winner for the 9-12 category and the winner for the 13-19 category will be chosen by a separate panel of judges, both of which will include representatives of authors, journalists, booksellers, school children and Hot Key Books. At least one member of each panel will be demonstrably independent of both Hot Key Books and the Guardian. The members of the two panels of judges may be subject to change and are not guaranteed by Hot Key Books.

    6. The decisions made by each of the panel of judges are incontestable and final and binding on the entrants and no correspondence will be entered into. The winners will be notified by email or by telephone. The winners are required to respond to that email to confirm that they wish to accept the Prize. If Hot Key Books is unable to make contact with the winner (by email or telephone) having used its reasonable endeavours or the winner does not wish to accept the Prize, the relevant panel of judges reserves the right to award the Prize to an alternative shortlisted finalist.

    7. After notification of winning the Prize, each Prize winner must keep the fact confidential until the Prize is announced at the London Book Fair, and if they fail to do so, Hot Key Books reserve the right to forfeit their Prize.

    THE PRIZE

    1. There will be two overall Prize winners, one from the 9-12 category and one from the 13-19 category.

    2. The Prize is the offer of a worldwide publishing contract for each winner with Hot Key Books (subject to negotiation). If the negotiation with a winner is unsuccessful, that winner will be entitled to receive the alternative prize. See the further details below.

    3. The two winners will be the shortlisted finalists whose manuscripts are deemed by the relevant panel of judges to be of the highest quality, originality and suitability for children of the ages cited for the 9-12 category and for the 13-19 category.

    4. In the event that the relevant panel of judges, Hot Key Books and the Guardian deem that none of the entries are suitable for publication, the relevant panel of judges will nevertheless select an entry in accordance with these Competition Rules and award an alternative prize. That alternative prize will be a full and detailed editorial consultation with a senior member of the Hot Key Books editorial team, including creative and technical advice on the submission, in order to prepare that manuscript for open submission to agents and other publishers.

    THE PRIZE WINNERS

    1. The winners of the 9-12 category and the 13-19 category agree to give an interview which may be published by the Guardian and Hot Key Books in any of its publications in both hard and digital form.

    2. The 10 (in total) shortlisted finalists agree that Hot Key Books may use their name, photograph, age and general location for publicity and news purposes relating to the Competition and future competitions.

    3. Entrants retain all rights to their submissions, except in the case of the winners from whom Hot Key Books reserve first rights of publication. The winners will retain the copyright to their respective submissions and shall exclusively license worldwide publishing rights of the full manuscript to Hot Key Books on completion of the publishing contract.

    4. The publishing contract with the winners will be in line with industry standards and a royalty advance of £10,000 will be offered.

    5. The winners are responsible for all other costs incurred as part of or relating to the Prize including but not limited to all beverages, spending money, meals, travel costs and any tax liabilities.

    6. There is no cash or other alternative prize available, and the Prize is not transferable.

    7. Hot Key Books reserve the right at any time to cancel, modify or supersede the Competition if in its sole discretion the Competition is not capable of being conducted as specified.

    8. For names of the winners, contact Hot Key Books on the Competition's designated email address youngwritersprize@hotkeybooks.com.

    9. The Competition and the Rules are governed by English law and any dispute is subject to the exclusive jurisdiction of the English Courts.

    CONTACT INFORMATION:

    For enquiries: youngwritersprize@hotkeybooks.com

    For submissions: entries should be sent to youngwritersprize@hotkeybooks.com

    Website: http://hotkeyblog.wordpress.com/

  • The Guardian - Hot Key Books Young Writers Prize (worldwide)

    Deadline: 31 May 2012

    (Note: The Guardian - Hot Key Books Young Writers Prize is open to writers residing anywhere in the world. The publishing contract with the winners will be in line with industry standards and a royalty advance of £10,000 will be offered.)

    The Guardian and Hot Key Books are launching a search for the next generation of writers of children’s fiction with the Guardian Hot Key Books Young Writers Prize.

    We are looking for new young writers between the ages of 18 and 25, who write in either of two categories: for ages 9-12 or 13-19. Entrants should be unpublished talents new to the literary world that are passionate about writing for children. The winners, one for each age category, will be selected by a panel of judges who will consult with school children. Each winner will be given editorial support and the chance to be published by Hot Key Books.

    A judging panel comprising of representatives from the Guardian, Hot Key Books, booksellers, school children and authors representing both age groups will be announced at the end of April. Submissions of partial manuscripts will be accepted from 30 April and close on 31 May, with a second stage of full manuscripts in October.

    Competition entries should be sent to
    youngwritersprize@hotkeybooks.com before 31st May. No paper entries will be accepted.

    COMPETITION RULES

    GENERAL

    1. The Guardian Hot Key Books Young Writers Prize competition ("Competition") will be governed by these competition rules ("Competition Rules"). By completing an application form and submitting that form together with an entry to the Competition, entrants agree that they have read and understood the Competition Rules and will be bound by them.

    2. The promoter of the Competition is Hot Key Books Limited (company number: 07735953), whose business address is Northburgh House, 10 Northburgh Street, London EC1V 0AT ("Hot Key Books"). Hot Key Books' media partner is the Guardian newspaper ("the Guardian").

    3. Hot Key Books reserve the right to exclude entrants and withhold prizes for any breach of any of the Competition Rules.

    4. The relevant panel of judges for each category in the Competition may decide, in their absolute discretion, that none of the entries are suitable for publication and award an alternative prize in accordance with these Competition Rules.

    TIMINGS

    1. The Competition will run from midnight (UK time) on Monday 30 April 2012 to midnight (UK time) on Monday 15 April 2013.

    2. The Competition will have four stages:

    Stage 1 – Submissions will be accepted from midnight (UK time) on Monday 30 April 2012. The closing date for submissions will be midnight (UK time) on Thursday 31 May 2012.

    Stage 2 – Hot Key Books will notify 10 longlisted entrants in the 9-12 category and 10 longlisted entrants in the 13-19 category by midnight (UK time) on Friday 21 September 2012. Full manuscripts will be submitted by those 20 (in total) longlisted entrants by midnight on Monday 1 October 2012.

    Stage 3 – Hot Key Books will notify 5 shortlisted entrants in the 9-12 category and 5 shortlisted entrants in the 13-19 category by midnight on Monday 26 November 2012, to include a draft form of publishing contract with Hot Key Books for review. The entry manuscripts from those 10 (in total) shortlisted entrants will be sent out by Hot Key Books to the relevant judging panel on Monday 3 December 2012. Any shortlisted entrants wishing to withdraw from the Competition at this stage will notify Hot Key Books by midnight on Friday 30 November 2012.

    Stage 4 – Hot Key Books will notify Competition Prize winners by midnight (UK time) on Friday 1 March 2013. The deadline for Prize winners to acknowledge the email from Hot Key Books notifying them that they have won will be midnight (UK time) on Friday 8 March 2013. Winners will be announced by Hot Key Books at the London Book Fair 2013 between Monday 15 and Wednesday 17 April 2013.

    ENTRY CRITERIA

    1. The Competition is open to writers residing anywhere in the World aged 18 or over but under 26 at the time of submission of an entry in accordance with the submission criteria below. Staff of Hot Key Books or the Guardian and their respective associated, affiliate or subsidiary companies, and their families, agents, or anyone connected in any way whatsoever with this Competition, are not permitted to submit an entry.

    2. Entry is limited to one (1) submission per eligible person. Entries must be by electronic submission to the Competition's designated email address youngwritersprize@hotkeybooks.com. Submissions by post or hand delivery will be void and will not be returned.

    3. Apart from the manuscripts of those entrants who are offered a publishing contract with Hot Key Books, all other manuscripts held by Hot Key Books and the Guardian will be destroyed following the Competition.

    SUBMISSION CRITERIA

    1. Entries must be the unaided original work of the entrant and not previously commercially published and/or distributed, and must not infringe the rights of third parties or be libellous, defamatory or obscene. The entrant must not previously have had commercially published any work of fiction, but may have had published an essay, story or poem in an anthology. Self-published works are allowed but entrants must not have published under any other name, nor must they have ghost-written a published work of fiction. The entrant must personally submit the entry.

    2. Entries are not permitted from any entrant who has an agent. In addition, any entrant who appoints an agent during the Competition must immediately notify Hot Key Books and will be withdrawn from the Competition.

    3. Entrants are permitted to enter the same manuscripts for other competitions, but must immediately notify Hot Key Books if they are shortlisted for such competitions and Hot Key Books reserve the right to withdraw such entrants from the Competition.

    4. The Stage 1 submission will be the first 4,000 (four thousand) words of a manuscript. No substitutions will be accepted once the entry has been made.

    5. The entry must be made in either the 9-12 category or the 13-19 category. Hot Key Books reserve the right to move entries between categories if deemed appropriate.

    6. Each entry must be submitted together with a brief synopsis. The synopsis should be no more than one (1) page and should give an overview of the complete story including key characters, events, themes and settings.

    7. Entries must be in the English language on a Word or PDF document in 12 point type, double-spaced and with numbered pages, and include the name of the entrant and the manuscript title on each page. Each entry and an application form must be attached to the body of the email. Entries set out within the body of the email will not be accepted and will be void.

    SELECTION CRITERIA

    1. All Stage 1 entries will be read by members of the Hot Key Books team who will then select a longlist of 10 entries for the 9-12 category and 10 entries for the 13-19 category (a total of 20 entries) who will then move onto Stage 2.

    2. Stage 2 - Hot Key Books will notify each of the longlisted entrants by email and will require them to submit the full manuscript pertaining to their entry. Out of the 20 longlisted entrants (10 in each category), a final shortlist of 5 entries for the 9-12 category and 5 entries for the 13-19 category (a total of 10 entries) will be chosen by senior members of the Hot Key Books editorial team who will then move onto Stage 3.

    3. Stage 3 - Hot Key Books will notify each of the shortlisted finalists by email and will submit the 5 9-12 category entry manuscripts to the 9-12 panel of judges and will submit the 5 13-19 category entry manuscripts to the 13-19 panel of judges. The shortlisted finalists must provide Hot Key Books with proof of their age by way of a copy of a passport, driving licence or otherwise, to be sent by email to youngwritersprize@hotkeybooks.com.

    4. The shortlisted finalists will receive details of the Competition Prize, namely a draft form of publishing contract with Hot Key Books for review. If a finalist decides to withdraw from the Competition at this stage, they will notify Hot Key Books by email to the designated email address (youngwritersprize@hotkeybooks.com).

    5. Stage 4 - The winner for the 9-12 category and the winner for the 13-19 category will be chosen by a separate panel of judges, both of which will include representatives of authors, journalists, booksellers, school children and Hot Key Books. At least one member of each panel will be demonstrably independent of both Hot Key Books and the Guardian. The members of the two panels of judges may be subject to change and are not guaranteed by Hot Key Books.

    6. The decisions made by each of the panel of judges are incontestable and final and binding on the entrants and no correspondence will be entered into. The winners will be notified by email or by telephone. The winners are required to respond to that email to confirm that they wish to accept the Prize. If Hot Key Books is unable to make contact with the winner (by email or telephone) having used its reasonable endeavours or the winner does not wish to accept the Prize, the relevant panel of judges reserves the right to award the Prize to an alternative shortlisted finalist.

    7. After notification of winning the Prize, each Prize winner must keep the fact confidential until the Prize is announced at the London Book Fair, and if they fail to do so, Hot Key Books reserve the right to forfeit their Prize.

    THE PRIZE

    1. There will be two overall Prize winners, one from the 9-12 category and one from the 13-19 category.

    2. The Prize is the offer of a worldwide publishing contract for each winner with Hot Key Books (subject to negotiation). If the negotiation with a winner is unsuccessful, that winner will be entitled to receive the alternative prize. See the further details below.

    3. The two winners will be the shortlisted finalists whose manuscripts are deemed by the relevant panel of judges to be of the highest quality, originality and suitability for children of the ages cited for the 9-12 category and for the 13-19 category.

    4. In the event that the relevant panel of judges, Hot Key Books and the Guardian deem that none of the entries are suitable for publication, the relevant panel of judges will nevertheless select an entry in accordance with these Competition Rules and award an alternative prize. That alternative prize will be a full and detailed editorial consultation with a senior member of the Hot Key Books editorial team, including creative and technical advice on the submission, in order to prepare that manuscript for open submission to agents and other publishers.

    THE PRIZE WINNERS

    1. The winners of the 9-12 category and the 13-19 category agree to give an interview which may be published by the Guardian and Hot Key Books in any of its publications in both hard and digital form.

    2. The 10 (in total) shortlisted finalists agree that Hot Key Books may use their name, photograph, age and general location for publicity and news purposes relating to the Competition and future competitions.

    3. Entrants retain all rights to their submissions, except in the case of the winners from whom Hot Key Books reserve first rights of publication. The winners will retain the copyright to their respective submissions and shall exclusively license worldwide publishing rights of the full manuscript to Hot Key Books on completion of the publishing contract.

    4. The publishing contract with the winners will be in line with industry standards and a royalty advance of £10,000 will be offered.

    5. The winners are responsible for all other costs incurred as part of or relating to the Prize including but not limited to all beverages, spending money, meals, travel costs and any tax liabilities.

    6. There is no cash or other alternative prize available, and the Prize is not transferable.

    7. Hot Key Books reserve the right at any time to cancel, modify or supersede the Competition if in its sole discretion the Competition is not capable of being conducted as specified.

    8. For names of the winners, contact Hot Key Books on the Competition's designated email address youngwritersprize@hotkeybooks.com.

    9. The Competition and the Rules are governed by English law and any dispute is subject to the exclusive jurisdiction of the English Courts.

    CONTACT INFORMATION:

    For inquiries: youngwritersprize@hotkeybooks.com

    For submissions: entries should be sent to youngwritersprize@hotkeybooks.com

    Website: http://hotkeyblog.wordpress.com/

  • How to Boost Your Skills As a Writer

    Writers, like all creative professionals, always have room for improvement and development. Even acclaimed or widely published authors may find themselves hitting a creative wall at some point in their career. While writing obviously requires many attributes that go beyond concrete techniques, such as skillful use of intuition and a sense of the reader – many characteristics of a good writer are also well within the realm of craft. Following are some craft pointers and exercises that both beginning and established writers can use to grow their writing skills:

    • Read Widely – Reading as much as possible with as much variety as possible is a prerequisite for writers of all stripes. Perhaps you are already “well-read” but in what sense? Perhaps you have read all the classics, but there is still much to be learned in the ways of sentence structure, diction and the human condition. Consider reading periodicals or genres that are outside your normal reading material. If you write primarily realistic fiction, pick up a book of abstract stories. Inspiration can be found in trade journals, science fiction, nonfiction journalism, and nearly all types of reading material.
    • Utilize a Dictionary – If you find yourself using the same words and images in your work, it may be time to refresh your vocabulary. Most writers have a wide vocabulary, but they may be prone to using some words more than others out of habit. Find a quality dictionary and spend some time going through it. Look for words that are common, but that you rarely use in speech or in your work. In this way, you will add fresh language to your work, without it sounding stilted or overdone.
    • Set Deadlines and Schedule Writing Time – Perhaps your writing struggles stem from an issue of motivation or structure. Since writing is a vocation of choice for many people rather than a traditional job, it can be difficult to complete projects in a timely manner. Practice setting deadlines for pieces of writing that you are working on; allotting a particular time every day to write or a particular word count to complete, can also act as motivation. Examine literary journals from art colleges or writer’s websites for writing competitions you can enter. The hard deadline of a competition can motivate you to work.
    • Examine Sentence Cadence – Even if you are not a poet, you should take some time to examine the cadence of the sentences in your work. The stressed and unstressed syllables in your sentences may make your work read faster or slower, depending on their placement. They can also make sentences flow more easily or make them sound halting and displeasing to the ear. It also makes sense to pay attention to the length of your sentences. Short sentences are more urgent and punchy, while long ones can add a flowing effect.
    • Use the Tools of Plotting – Consider how you normally plot your work, if you are a writer of short stories or novels. Changing up the plotting tools you use can add new insight to your writing. Many writers generally start their stories from the ending or from some traumatic beginning event. Others do not work with causal events at all, but instead start with a particular philosophical idea. Still others intersperse non-causally related incidents to form a rich texture. Whichever device you normally use to structure a story, consider a different approach, even if you only use it as an exercise.
    • Get Academic Support – Pursuing an academic degree in writing or even enrolling in a single class can also serve to improve your writing. While a formal education is not necessary to become a writer, the advice and guidance of an experienced writer can help the new writer gain traction and realize key themes apparent in their work.

    Sources

    University of Illinois at Urbana-Champaign – The Center for Writing Studies (2012)

    Jerz’s Literacy Blog (2011)

  • Commonwealth Essay Competition 2012 (worldwide)

    Deadline: 1 May 2012

    The Royal Commonwealth Society’s annual Young Commonwealth Competitions encourage young people to use writing, film and photography to respond creatively to global challenges.

    2012 marks the Diamond Jubilee of Her Majesty Queen Elizabeth II and her 60th year as Head of the Commonwealth. To celebrate this very special occasion, for one year only, all entries into our Young Commonwealth Competitions will become part of the world’s biggest history project, the Commonwealth Jubilee Time Capsule. Take part in our competitions in 2012 and your entry will join 22,000 others – one for each day that Her Majesty has been Head of the Commonwealth – in the Capsule. Your memories - the untold stories of millions of ordinary and extraordinary lives - are the story of the modern Commonwealth.

    YOUNG COMMONWEALTH COMPETITIONS

    In 2012, all our competitions will be based on the Commonwealth theme, ‘Connecting Cultures’. All entries must relate to a single day in the last 60 years since Her Majesty ascended to the throne on 6th February 1952. All entries must be your own original work. Every year, over 50,000 young people take part in this prestigious awards scheme. Our Young Commonwealth Competitions come with some great prizes, and in 2012 you’ll be eligible for Jubilee Time Capsule prizes too!

    DEADLINE for all competitions: 1ST MAY 2012

    Run by the RCS since 1883, this is the world’s oldest and largest schools’ writing competition. To enter, you must be aged 18 or under on 1st May 2012. You must also be a national of, or living in, a Commonwealth country. On the first page of your entry, please write your name, age, topic number and the date you have chosen to write about.

    How do I enter? To enter the essay competition, you must pick a day between 6th February 1952 and the present. Then, using one of the topics in the grey box as your inspiration, tell us about what happened on that day. You might like to think about why that day was important to you, your family, or your community. The event must not be fictional, but we encourage you to be creative in the way you share the story.

    COMMONWEALTH ESSAY COMPETITION

    Pick a day From 6th February 1952 to the present.

    Then, using one of the topics below, tell us about what happened!

    1. The day I wore my best clothes.
    2. A feast or a festival.
    3. An interview with an adult about a significant day in their life.
    4. A day's journey.
    5. A birth OR a wedding OR a funeral.
    6. My response to an event that made the news headlines.
    7. A sporting event.
    8. The day I met my hero/heroine.

    How long should my essay be? If you are aged between 14 and 18 on 1st May 2012, please write between 1,200 and 1,750 words. If you are aged under 14 on 1st May 2012, please write between 300 and 700 words.

    PRIZES

    Thousands of young people from around the world enter every year, but the winners are often those picking up a camera or putting pen to paper for the first time. What we look for is a creative spark, a unique insight or a bold idea.

    In 2012, all essays, photos and films will be entered into the Jubilee Time Capsule. For one year only, your chance of winning a prize is doubled!

    By entering the Young Commonwealth Competitions, you could:

    • See your Jubilee Time Capsule entry presented to Her Majesty the Queen in 2012.
    • Win a certificate, cash or photographic equipment.
    • Win resources for your school.
    • Be flown to London.
    • Be invited to meet famous authors, film directors and photographers; take part in expert workshops to learn new skills; and do work experience at international organisations.
    • See your entry exhibited around the Commonwealth and featured in worldwide media.

    HOW TO SUBMIT YOUR ENTRIES

    Online: Please upload your entries to www.thercs.org/youth/competitions

    By post: Each postal entry must be accompanied by an entry form

    Directly to us: FAO Young Commonwealth Competitions, 25 Northumberland Avenue, London, WC2N 5AP, UK

    Americas/Caribbean: FAO Young Commonwealth Competitions, The British Council, 19 St. Clair Avenue, St. Clair, Port of Spain, Trinidad and Tobago

    Africa: FAO Young Commonwealth Competitions, Baobab College, PO Box 350099, Chilanga, Zambia. OR, FAO Young Commonwealth Competitions, The British High Commission, P.O Box 296, Accra, Ghana

    Asia: FAO Young Commonwealth Competitions, The British High Commission, 185 Jalan Ampang, 50450 Kuala Lumpur, Malaysia

    Pacific: FAO Young Commonwealth Competitions, The British High, Commission, PO Box 1812, Wellington 6140, New Zealand

    CONTACT INFORMATION:

    For inquiries: youth@thercs.org

    For submissions: click here

    Website: http://www.thercs.org/

  • "A Time to Heal" Book Release at Lagos Resource Center (Nigeria)

    Deadline: 13 August 2011

    Everyone is invited to the Book Release event of Seye Oke's latest book titled “A Time to Heal”. This creative work takes readers through a journey of uncertainties and excitement as it narrows in on the triumphs and failure experienced by Toriola and Chidi in the face of a civil war.

    In A Time to Heal, Chidi finds the very essence of his existence tested when he is called on to fulfill a family obligation that exists beyond his nuclear family. He finds himself on a journey of self-discovery as his close companions, Dozie, Azuka and Jude, lure him to fight for a course he has no faith in. Chidi’s decision excludes Tori from his plans and ultimately from his life. In search for consolation, companionship and support, Tori rekindle her soured relationship with her parents, and clutches to the warmth offered by a stranger. The individual paths chosen by this young couple widens as time pass by, as each struggle to understand and uphold their new found ‘self’.

    It will be a pleasure to have your honorable presence at this event.

    Date: Saturday 13th August 2011

    Time: 5pm prompt

    Venue: Lagos Resource Center, 9, Anifowoshe Street, Off Adeola Odeku and Kofo Abayomi Street, Victoria Island, Lagos.

  • Call for Submissions - Al Jadid: A Review & Record of Arab Culture and Arts

    Call for Submissions - Al Jadid: A Review & Record of Arab Culture and Arts

    We very much welcome contributions, both solicited and unsolicited, as long as they fall under the broader category of Arab culture and arts. Contributions can be in the form of essays and features, reviews of books, films, music, theater, visual arts, and architecture, as well as discussions of cultural trends and intellectual debates; interviews with intellectuals and artists; and translations (from Arabic to English) of literary and creative works.

    We do not accept manuscripts that have appeared or are scheduled to appear in other publications, whether in print or online. While we do not own the copyright, we ask that authors do not publish the same article appearing in Al Jadid elsewhere—whether in print and online—for two years from the time it appears in this magazine. After that time, it can be published whenever and wherever the author sees fit. However, the first source, Al Jadid, will still need to be fully credited. Meanwhile, we are entitled to post all submissions on our own website as well as in any future publications by Al Jadid. We are a not for profit organization, and all our contributors work on a strictly volunteer basis. In short, we have no budget for freelance contributions.

    Before submitting any work, we suggest that you send us a query, sharing your intended topic with us, thereby allowing us to inform you of whether we are interested in the topic or if we have covered it already.

    Finally, we urge authors to write in a style that is accessible to both specialist and non-specialist readers. Please avoid jargon, and abstract and technical language.

    About Book Reviews

    We do not publish reviews of books that were published more than two years from the time the review is submitted. A book review should not exceed 500 words, while a feature/essay book review should be between 750 and 1000 words.

    About Film Reviews

    We do not publish reviews of documentaries or films that were released three or more years from the time the review is submitted to Al Jadid. Our preference is for documentaries and films about and from the Arab world. The word length of a standard film review should not exceed 500 words. Feature film reviews, namely those profiling or including brief interviews with directors, are considered as well, with their word-length not to exceed 1000 words. In cases when the reviewers did not receive a review copy from the magazine, we ask that they provide us with two or more stills/images (jpeg or tiff at 300 dpi or higher) from the film to be used with the review.

    About Essays and Features

    An essay or a feature should examine a topic or a theme in Arab culture and arts that is contemporary or modern. We are interested in submissions that examine specific themes rather than general theoretical discussions. Topics that are considered classics are also acceptable as long as they relate to contemporary discourse or contemporary issues. The word length of essays and features varies from 500 to 2500 words maximum.

    About Interviews

    Do not submit any interview unless the name of the interviewee is cleared by us in advance. The artistic orientation and cultural production of the interviewee must contribute to the modern and contemporary discourse. The word-lengths vary from 750 to 1500 words. The interviewer is expected to provide the magazine with a high resolution photo of the interviewee, and three or more artwork samples (high resolution, 300 dpi or more) should the interviewee work in the visual arts, photography, fine arts, painting, among others. Contact information for the interviewee should be made available to the magazine, as this may be used in the process of fact-checking.

    About Art Reviews

    The length of standard art reviews is 500 words; feature/essay art reviews are 1000 words maximum. The reviewers are responsible for providing Al Jadid with high resolution artworks (300 dpi or more). Web images of artworks do not work in print/hard copies. The reviewers are responsible for securing permission/rights from the artists for any images to be used in Al Jadid.

    About Cultural News

    We accept news stories if their focus is cultural and artistic events that have either taken place no more than four months from the time of submission or not expected to take place more than 4 months after the submission. These stories may be published immediately online and we cannot guarantee their publication in the print issues of Al Jadid. Their word-lengths can be as short as 200 and as long as 350 words.

    Art Work Submission

    We consider artworks for both the magazine’s cover and interior, both in full-color and in black and white. Please submit these works in a low resolution of 72 dpi; should we accept any submission for publication, we will notify you to send us a high-resolution submission of 300 dpi or more.

    Send all Queries to

    Elie Chalala, Editor
    Al Jadid Magazine
    P.O. Box 241342
    Los Angeles, CA 90024-1342
    Tel: (310) 470-6984, Fax: (310) 602-6222

    Contact Information:

    For inquiries: aljadid@jovanet.com

    For submissions: aljadid@jovanet.com

    Website: http://www.aljadid.com

  • Contract Script Writer Wanted for Blink Tower South Africa

    At Blink Tower, we are in the business of explaining stuff. If a business has a new product, service or idea, we condense it into a 60 to 90 second voiceover and graphics script. This then gets recorded in studio, and then our brilliant animators tell the visual story using 2D animation. Have a look at some of our work at youtube.com/blinktower.

    And this is where you come in. We are growing rapidly and need to get a full time writer on board.

    Full or part time negotiable, Full time salary 12k for 3 months (14k for one year contract if contract is renewed)

    Start date: 1 June 2011 (though we can discuss this)

    What your job will entail:

    Scripts

    You’ll research and brainstorm with the team on ideas for scripts, commissioned scripts and also scripts that we will use for shotgun marketing, and our own ‘how to’ video scripts. Note that you will also be writing the visuals of the animations, but don’t let that intimidate you - you’ll work closely with the animators until you get the hang of it.

    You’ll then write the first draft, and you’ll receive feedback from me and the creative director, Adrian. We’ll work on it in-house until we have a version we are all happy to send to the client. After discussing the client’s feedback, you’ll make the changes. This process can sometimes take quite a bit of time, but it is the most important part.

    Marketing Material

    It will also be your job to write marketing material, be it copy for our website or a letter motivating something we entered into the Loeries. We’ll also need you to write press releases and send them to the right people.

    Social Media

    You will be in charge of keeping our social media sites fresh and up to date. Daily tweets and Facebook messages need to be posted, and you’ll also be responsible for writing a weekly blog on our website.

    You:

    The most important thing is that you have a sense of humour, and that you understand humour in general, and can integrate it (when appropriate) into your writing.

    We feel strongly about building a great, stimulating and exciting space for us all to work in, and we want you to feel like you are a part of building our company. So a positive attitude, a sense of fun and taking great pride in your work is important.

    You need to be interested in learning new things – we often work with clients who have new business ideas. It can sometimes be hard to grasp at first, and it’s particularly challenging to write a script that we know will work well and that the client loves. We find it incredibly rewarding to always be exposed to new ideas, and this will have to get you excited too.

    A keen interest in marketing is essential.

    Attention to detail – spelling and grammar mistakes are a peeve hate here, and even though we’ll check scripts before sending to clients, you’ll be responsible for writing fault free copy for our online platforms.

    As we are a startup, there is plenty of room to grow, and we would ideally want someone to join who aspires to be in a more senior position, who can lead others and take initiative.

    Some other qualities we dig: innovative, responsible, reliable, funny, precise.

    So if that all sounds right up your alley, then please do the following:

    1. Send us your CV and some writing samples

    2. Also answer the following questions –

    * What about Blink Tower interests you?

    * Why do you think you’ll be perfect for the role?

    * What made you become a writer?

    * Please tell us something quirky/interesting about yourself.

    If we like what we read, we will send you a writing test. If that turns out well, we’ll invite you to come for a face to face interview.

    We look forward to hearing from you at candice@blinktower.com

    If you apply, and do not hear from us, it’s not because you are not fantastic, it’s just that you didn’t quite suit the criteria and we are a bit strapped for time. We’ll get back to successful applicants within one week.

    Location: Woodstock, Cape Town, South Africa

    Contact Information:

    For inquiries: candice@blinktower.com

    For submissions: Elodie Kleynhans at candice@blinktower.com

    Website: http://www.blinktower.com/

  • BBC World's £2000 International Radio Playwriting Competition (worldwide)

    Deadline: 31 July 2012

    The International Radio Playwriting Competition is run by the BBC World Service and the British Council, in partnership with Commonwealth Writers and is now in its 23rd year. It is a competition for anyone resident outside Britain, to write a 53-minute radio drama for up to six characters.

    There are two categories: one for writers with English as their first language and one for writers with English as their second language.

    The two winners will come to London and see their play made into a full radio production, which will then be broadcast on the BBC World Service. They will also each receive a £2,000 prize and there are certificates for runners-up.

    The play must be in English, unpublished and must not have been previously produced in any medium. Whether you're experienced, new, or somewhere in between, we want to hear from you.

    INTERNATIONAL PLAYWRITING COMPETITION 2012: TERMS AND CONDITIONS

    These are the rules and terms and conditions for entering the click BBC World Service International Playwriting competition. Please ensure that you read and understand them as failure to follow will result in your entry not being considered.

    RULES

    1. Entry is only open to anyone who is over the age of 18 as at 31 July 2012 who is not normally a resident of the UK. This may include anyone living/working in the UK on a temporary basis (up to 12 months) at the time of entering the competition. Professional and previously published writers are eligible to enter, but this is not a requirement of entry.

    2. Entrants must not be BBC, British Council or Commonwealth Foundation employees and their close relatives or any person connected to the competition. Proof of age, identity and eligibility may be requested.

    3. Entrants should write a radio play of approximately 53 minutes’ length on any subject of their choice. Adaptations of novels are not eligible.

    4. Plays entered must not have been professionally produced in any medium (an informal play-reading is acceptable; a play-reading with a professional director and in front of a non-paying audience is acceptable, but a performance involving payment to actors and/or a paying audience is not).

    5. Plays entered in the competition must not, at the time they are submitted, have been offered for publication, performance or broadcast in any other form or medium to any other person or company. Nor can they, at the time of entry or during the course of the competition, have been entered for any other competition. The winning playwrights will be deemed to have entered into an undertaking not to accept offers for their entries from other broadcasters or publishers before April 2013.

    6. All scripts submitted must be a minimum of 45 pages of A4 paper (or equivalent) and a maximum of 65 pages (note, a rough guide is a minute per page; please read and time your play before you send it). The play should have a maximum of six central characters (there may be up to 3 small "doubling" characters too, who don’t have more than a few lines each). Your script must be accompanied by a short synopsis which outlines the complete story of the play. This must be no more than 400 words.

    7. There are two categories for entry. One is for entrants who speak English as a first language and the other is for entrants with English as a second language. The BBC may require proof of eligibility for the selected category before announcing a winner.

    8. The play must be written substantially or entirely in English. Unfortunately, we do not have the facility to offer a translation service. Entries that have been translated must acknowledge this fact by giving a credit to the translator or translators. Entries that have been translated will be entered in the English as a first language category.

    9. The competition opens on 1 May 2012 and closes on 31 July 2012.

    Entries must be received at your British Council office or at the BBC in London by midnight GMT on 31 July 2012. Entries received after this time will not be considered.

    10. Entries must be submitted either:

    * by post to the following address: International Playwriting Competition 2012, BBC Radio Drama, Room 6015 BBC Broadcasting House, Portland Place, London W1A 1AA, United Kingdom

    * to your click local British Council office

    * or by email to the following email address: radioplay@bbc.co.uk

    11. All entries must be accompanied by a completed copy of the entry form attached to this leaflet or which can be downloaded at www.bbcworldservice.com/radioplay from 1 May 2012.

    12. Entrants can enter individually or as part of a group. If entering as a group, all entrants must meet the entry requirements and be eligible for the same category. No member should have also entered individually. Please note, the prize only includes payment for one airfare per category.

    13. In the case of an entry by two or more writers, the BBC will need written or email confirmation from each writer involved that they are prepared to take a share of the prize money and are prepared to receive those funds from a nominee who will be one of the writers, as the prize money will be paid to one individual only. The nominee will be selected by the writers and it will be his or her responsibility to distribute these funds to the other writers and the organisers can take no responsibility for that aspect.

    14. Only one entry per person is permitted including any group entries. If you submit more than one entry, only the first entry received will be considered. Please do not submit plays you have entered before.

    15. All entries must be the original work of the entrant and must not infringe the rights of any other party. The BBC accepts no liability if entrants ignore these rules and entrants agree to fully indemnify the BBC against any claims by any third party arising from any breach of these rules.

    16. Entries must not contain defamatory, obscene or any other unsuitable material, such as that which may cause offence to a wide audience of all ages.

    17. Entrants retain the copyright in their entries but grant to the BBC a non-exclusive licence to broadcast their entry across all media, as well as use it on any online platforms. Entrants also grant a licence to Commonwealth Writers to publish extracts of their scripts, along with their name(s), on the Commonwealth Writers website.

    18. The prize for the winning entry in each category will consist of £2000 sterling and a trip to London (airfare and accommodation for one person) to see the winning play being recorded for broadcast on the BBC World Service and attend a prize-giving event. The prize is as stated and cannot be deferred or transferred. There will be no cash alternatives.

    19. As with any new play, the BBC may require further drafts and revisions of the winning plays. Winners must be willing and able to undertake redrafting and revision work in conjunction with the BBC. This work is likely to take place between November 2012 and January 2013 and the winning entrants will need to keep time free, and remain contactable, to achieve this. This work will be completed with the winning entrant using email or the most suitable method available. We reserve the right to revoke a play's prize winning status if this work is not completed.

    20. The BBC will reserve the right to make minor cuts, changes and edits to the winners' final draft scripts.

    21. Subject to a satisfactory recording being made, the winning plays will be broadcast on BBC World Service in March 2013. Winners will first be required to enter into a contract with the BBC on the standard terms and conditions applicable for broadcast of BBC Radio Drama. No fee will be payable other than the £2000 sterling offered as prize money for one broadcast cycle and the BBC's standard package of rights under that contract. If repeated on the World Service, a sum of £1000 will be payable for the first repeat cycle and thereafter the BBC will have certain broadcasting and other rights all in accordance with the contract.

    LINKS

    Script format: How to set out your script in a good format for the actors

    British Council: The UK's international cultural relations body

    The competition application form will be available from 1 May 2012 here

    CONTACT INFORMATION:

    For inquiries/ submissions: radioplay@bbc.co.uk

    Website: http://www.bbc.co.uk/

  • Deadline June 10 | The WAN-IFRA African News Innovation Challenge (grant value: $12,500-$100,000 | Africa-wide)

    Deadline: 10 June 2012

    This innovation challenge focuses on journalism and the news media. We are looking for disruptive digital ideas for improving the way that news is collected and disseminated. By digital ideas, we mean tools or strategies that use the Internet, mobile platforms, data driven journalism, computer assisted reporting, digitally augmented reality, or other electronic means to improve the relevance and impact of news media.

    Your ideas should be focused on providing pragmatic solutions to realworld challenges facing Africa’s media. Your innovation should fall into any of four broad categories: news gathering; story telling; audience engagement; or the business of news. Within these categories, we are specifically interested in ideas that seek to achieve one or more of the following goals:

    Platforms

    Strengthen existing media platforms, or harness new digital platforms for engaging audiences and transmitting news other journalistic content.

    Delivery

    Improve the way news reaches audiences, from traditional circulation / airtime management to newer disruptive ‘cross platform’ channels.

    Context

    Amplify the relevance and usefulness of news by improving the immediacy, depth and accuracy of journalistic content.

    Reach

    Enhance the impact and ‘shelf life’ of news by extending its influence and intrinsic value for both audiences and content services.

    Targeting

    Deepen media’s understanding of its audiences and markets by improving user analytics, audience profiling and market segmentation.

    Sustainablity

    Boost the media’s resource base by diversifying business models, developing new revenue streams or improving operational efficiencies.

    WHAT WE FUND

    We fund news experiments and digital media startups. This means that we will fund the costs associated with developing, testing and scaling a new digital news venture or product. We will not fund conferences, training workshops, nor the salary or operational costs for existing organisations, nor university administration fees, nor other routine business costs.

    FINALISTS WORKSHOP

    Finalists will be invited to the OpenNews Camp in Zanzibar, Tanzania, in August for one-on-one workshop sessions with business development mentors and other industry experts. Finalists will use these sessions to refine and strengthen their proposals, as well as develop implementation plans and budgets ahead of final judging.

    SUPPORTING THE WINNERS

    Winners will receive cash grants of between $12,000 and $100,000, plus additional business development support, technical mentorship, and marketing support. Winners may also be offered opportunities to pilot their projects in AMI member newsrooms and showcase the results at international conferences or to venture capital funds.

    WHAT IS THE PROCESS FOR APPLYING?

    The only place you can apply is here on the ANIC website. We will not accept faxes, posted applications, hand deliveries or other channels. All you need to do is answer the 7 questions on the form. Brevity counts. Any supporting media, videos, links to prototypes, etc, can be included with the post, but are not required. The deadline for submissions is July 10 (midnight – Central African Time). No late submissions will be accepted. We will contact semi-finalists for additional information, including a detailed budget, by early August.

    WHO CAN ENTER?

    ANIC is an open and worldwide contest. Anyone, anywhere can therefore apply – as long as they have an African partner to help with implementation. There is no other age or geographic restriction. The competition is open to nonprofits, for-profits or individuals of any age, anywhere in the world. Awards to minors will be made to an intermediary designated by ANIC.

    WHAT IS THE DEADLINE FOR ENTRY?

    July 10, 2012 at midnight (Central African Time). You might want to use something like World Time Buddy to make sure that you get the time right.

    WHEN WILL I RECEIVE A RESPONSE?

    The dates below are guidelines. Their intention is to give you an idea of the timeframe of the process.

    • May 10, 2012: Contest opens
    • July 10, 2012: Application deadline
    • August 10, 2012: Finalists are at the OpenNews Camp, in Zanzibar
    • September 10, 2012: Finalists submit their final proposals and budget plans
    • November 10, 2012: Winners are announced at the African Media Leaders Forum in Ivory Coast

    PRIZES

    The total purse for cash prizes is $1 million.

    The African News Innovation Challenge is designed to find and nurture ideas that have the potential to transform journalism and the media industry.

    Winners will therefore receive more than just cash grants. They will also receive a combination of technical advice and business mentorship from industry experts, as well as support for marketing their innovations to a wider African and world audience.

    Once winners have produced working prototypes and proof-of-concept for their ideas, they will be given the opportunity to showcase their innovations to venture capitalist funds for possible additional investment.

    The Basics:

    Winners will receive cash grants of between $12,500 and $100,000, depending on the potential impact and the operational requirements of the project. Each project’s operational requirements will be spelled out in a detailed budget that shortlisted finalists will be required to file in the 2nd phase of judging. Finalists will attend a workshop, in Zanzibar, to help them develop this budget and a related business plan.

    Support Services:

    The World Association of Newspapers & News Producers (WAN-IFRA) will provide winners with one-on-one mentorship and technical advice from some of the world’s leading media strategists. WAN-IFRA will also host an intensive business development workshop for finalists, to help them refine and strengthen their proposals.

    Venture Capital:

    The ANIC grants that winners receive will function as seed capital for innovators to kickstart their projects. Once they have produced working prototypes with some degree of proof-of-concept, winners will be given the opportunity to pitch their projects to the Media Development Loan Fund’s new digital venture fund for consideration for possible additional investment.

    CONTACT INFORMATION:

    For enquiries: queries@africannewschallenge.org

    For submissions: submit your entries here

    Website: http://africannewschallenge.org

  • Poet Dumi Senda in South Africa for Poetry Readings and Workshops

    Date: 7 - 24 March 2012

    Community Guru. Dubbed “Voice of the Voiceless” and hailed as one of the most inspirational voices to emerge from Africa in the modern era; unassailable interest in a range of global issues has led to Dumi being positively recognized on numerous platforms including BBC Radio, TV shows and several magazines.

    Dumi is an internationally recognized award winning poet and unashamed humanitarian activist, who has shared the stage with world leaders including a CNN hero of the year, government ministers and Members of European Parliament, yet maintains his passion for educating and enlightening young people. This is best illustrated through his role as Ambassador for Youth Leadership Project Africa and through the numerous educational workshops he has facilitated in schools and universities over the years.

    Date; March 13, 14, 15
    Venue; University of Witwatersrand
    Time: t.b.c
    Events; Workshop, poetry reading

    Date 17/03/2012
    Venue; Alliance Francaise, opp. Zoo Lake
    Time: 13:00 until 17:00
    Event; Guest appearance House of Hunger Poetry Slam

    Date: 21/03/12
    Venue University of Johannesburg
    Time: t.b.c
    Event; Workshop, poetry reading

    Date: 24/03/12
    Venue Amphi Theater, Witwatersrand University
    Time: 11AM to 4PM
    Event: Special Seminar for Writers & Poets

    CONTACT INFORMATION:

    For inquiries: dumisenda@yahoo.co.uk

    Website: http://home.dumisenda.com/

  • 5 Writers, 1 Evening: Jalaa Writers Reading at the Freedom Park (Nigeria)

    Date: 13 August 2011

    You've read their interviews; you've read their book excerpts; you've read the book reviews; you've joined the Jalaa Facebook Page. Now, is the time for a book reading with the Jalaa Writers Collective as they read from their works; address questions about publishing in Nigeria and what a Writers' Collective may offer, what Jalaa Writers Collective offers. So, here's your chance to meet 5 Jalaa Writers in one place at the same time, real life not online.

    Time: 3pm-6pm

    Venue: Freedom Park, Broad Street, Opposite General Hospital

    Readings by:

    A. Igoni Barrett, one-time editor of Farafina Magazine is the recipient of a Chinua Achebe Center Fellowship, a Norman Mailer Center Fellowship and a Rockefeller Foundation Bellagio Center Residency. His first book, the story collection "From Caves of Rotten Teeth", was published in 2005 in Nigeria. His second story collection is forthcoming from Graywolf Press in 2013.

    Akachi Adimora-Ezeigbo is a lecturer, writer, novelist, critic, essayist, journalist, and administrator. She has written over twenty books in various genres. Her latest work "Roses and Bullets", published by Jalaa Writers’ Collective is about the Nigerian Civil War. The former winner of the NLNG Prize for Literature, the biggest prize for literature in Nigeria, heads the Prize’s panel of judges this year.

    Jude Dibia is the author of "Walking With Shadows"," Unbridled" (winner of the 2007 NDDC/ANA sponsored Ken Saro-Wiwa Prize for Prose and finalist in the 2007 NLNG Nigeria Prize for Literature) and the newest, "Blackbird".

    Odili Ujubuonu is the award winning author of Pregnancy of the Gods (Winner, 2006 ANA/Jacaranda Prize for Prose), Treasure in the Winds (winner, 2008 ANA/Chevron Prize on Environmental Issues) and the newest, "Pride of the Spider Clan."

    Uche Peter Umez is one of the 24 winners of the 2006 & 2008 Commonwealth Short Story Competition. He is also the winner of the 2006 ANA/Funtime Prize for Children's Literature for his unpublished novel," Sam and the Wallet", as well as the 2008 edition with his "The Christmas Gift". His latest children's book "The Runaway Hero" is on the NLNG Prize shortlist for 2011.

    Contact Information:

    For inquiries: jalaa.writers@gmail.com

    Website: http://www.jalaawriters.com/

  • Call for Submissions by Women from Jewish/ Islamic Background - Submitted: Women Finding and Leaving Extreme Religion (Seal Press)

    Deadline: 30 April 2012

    Submitted: Women Finding and Leaving Extreme Religion tells the stories of women from a variety of religious backgrounds, ages and races who chose a religious path only to eventually reject or modify it in whole or in part.

    Submitted: Women Finding and Leaving Extreme Religion asks the questions:

    Why, in a time when women have more freedom than ever before, would a modern woman chose to follow a religious tradition that appears to distance her from those freedoms and take away her choices so coveted by societal norms?

    How and why do we as women agree to join rigid religious groups, what happens once we do and what does it take to leave what we, at one time, accepted willfully?

    Submitted: Women Finding and Leaving Extreme Religion explores the religious experience:

    Getting In – Why did we agree to join such rigid, traditional life-styles? How, when and under what circumstances did we convert, join or otherwise submit to a theology and/or set of rules created by and enforced largely by men?

    Life Inside – Why did we stay? What sacrifices did we make both in joining and in remaining? What does it look like from the inside? When did we have doubts about our choices? And how were these expressed or repressed? What particular burdens did we bear as women in our communities? What did we find valuable that we feared we couldn’t find on the outside?

    Leaving – When did we discover we needed to leave? How did we leave? What do we miss? And are we allowed to admit that we miss it? What did we sacrifice in leaving? What did we gain? Are we ever tempted to return? How do we address/express our spirituality now?
    Note for those interested in submitting:

    What we, the editors, are looking to see are slice-of-life stories. For example, if you choose to submit for the “Staying in” section of the book (answering the questions about how and why women stay for so long in faiths that, in retrospect, have controlled and limited their lives), you might choose to let the reader see into one time when the elders came to correct you. What did you serve them? What were they wearing? How did they start the conversation? What were the implications of not doing what they asked you to do? In other words, you are the only one who can bring us right in to your experience and how and why you needed your particular religious community during that time in you life.

    At this point, we are especially hoping to hear from women from Jewish and Islamic backgrounds, but are still considering stories from women of other religious backgrounds, as well.

    Stories should focus on aspects of religious life which might include food, modesty, religious meetings, holidays, work, children, clothing, secrets, converting others, prayer, or marriage/sex.

    The book will be divided into three parts: Conversion, Life Inside, and Leaving. Submissions should be around 3000 words in length.

    CONTACT INFORMATION:

    For inquiries/ submissions: contact the editors here

    Website: http://submittedanthology.com

  1. Call for Journalists: Kenya Tourism Media Awards (print and digital media/ blog)
  2. Job Opening: Journalist for WegSleep Magazine (Media 24, South Africa)
  3. Job Opening: Journalist - Afrikaans for Media 24 (South Africa)
  4. Journalists/ Writers are Invited to Apply: Reagan-Fascell Democracy Fellows Program 2012-2013
  5. Job Opening: Health Print Journalism Trainer for Internews Kenya