My Mind Words Paper [Search results for algeria literature

  • The Cairo Mediterranean Literary Festival (Third Edition) Opens Today

    Deadline: 17 - 21 May 2012

    On the wave of the “Arab Spring”, synonym of transformation and renewal, Baad El Bahr Cultural Association (BEBA) is launching the third edition of the Cairo Mediterranean Literary Festival, an event that has proven itself a tangible demonstration of the possibility of constructive dialogue between the two shores of the Mediterranean.

    Baad El Bahr, founded as a nonprofit in 2008 (www.baadelbahr.org), is a cultural association based in Cairo and created by individuals from diverse national and cultural backgrounds, involved for years in various branches of Egypt's cultural life. The association offers to the public workshops, conferences, exhibitions and long term activities such as the translation and publication of literary texts and the ongoing Cairo Mediterranean Literary Festival, an annual appointment with different themes.

    “Literature and humor” was the theme of the festival first edition (5-12 May 2010). It was co-sponsored by the Delegation of the European Community in Egypt. “Literature and humor” gave a particular emphasis to Arabic and romance languages. Guests came from Italy, France, Spain, Egypt, Lebanon and Algeria.

    “Literature and the city” was the theme of the second edition (21-25 May 2011). Guests were, for the most part, contemporary authors whose works reflect the often radical changes that have taken place in cities in the last twenty years. The festival hosted writers from Italy and Egypt who participated in round table discussion.

    The 2012 edition of the festival is entitled “Literature and Body” and will take place in Cairo from the 17thto the 21st May 2012.

    The festival this year explores the long-standing but inexhaustible relationship between "literature and the body."

    The body has been present through centuries of literature as an object of constant attention, undergoing continuous changes, but without losing its freshness and its ability to amaze us.

    To paraphrase the title of a collection of short stories by Raymond Carver, what is it we talk about when we talk about the body, in our modern times?

    There is probably no vision more different, from one side to the other of the Mediterranean, from country to country, than that of the body. So it will be more interesting than ever this year to hear the voices from different cultural backgrounds, incited in different ways to probe themselves and each other.

    The theatrical reading form seems to us particularly suitable for this edition, where the text is elevated by the physicality of the “rap-rep”. There will also be conferences for deeper reflection, face-to-face or virtual encounters between authors, visual support in the form of two major exhibitions dedicated to the body and films and documentaries, as well as interactive seminars and book presentations. All of these, we hope, will make for discussion that is as vibrant and vital as the body itself.

    Most of the guests are contemporary authors from the Mediterranean basin such has the French philosopher Gilles Lipovetsky and the Egyptian philosopher Anwar Moghith, the Lebanese director Jocelyne Saab, the Italian authors Simonetta Agnello Hornby and Viola Di Grado, the actress Fernanda Calati, Alessandro Golinelli, the Spanish writer Maria Laura Espido Freire and more.

    The festival events will take place in different venues in Cairo in partnership with the Istituto Italiano di Cultura, Institut Français, Instituto Cervantes, Mashrabia Gallery, British Council, Goethe Institut, Alitalia and Rising Stars.

    Links: festival program, guests

    CONTACT INFORMATION:

    Website: http://www.cairomedliteraryfestival.org/

  • Deadline June 15 | Call for Contributions for Edited Volume - Comparative Mediterranean Modernisms: Pan-Mediterranean Artistic Exchange in Literature

    Deadline: 15 June 2012

    For centuries, the Mediterranean Sea has both divided and joined the many disparate nations, cultures, language groups and artistic traditions which flourished in the Mediterranean Basin: the Maghreb, Iberia, Southern Europe, the Balkans, the Levant and Egypt. As a dividing line and barrier to inter-cultural exchange, it has allowed each of these regions and their many cultures to develop unique artistic traditions. As the major feature binding these diverse cultures together, however, it has also facilitated inter-cultural exchange. What happens, then, when these traditions travel, meet and merge with each other? How does the host country adopt and adapt the ideas and aesthetics coming from abroad to its own native tradition?

    This volume will look at such pan-Mediterranean artistic exchange (in literature as well as film, painting, music, photography, etc.) produced during or about the Modernist period, roughly the last quarter of the 19th century and the first half of the 20th. We welcome papers addressing any aspect of Modernist and avante-garde literature and art on four related themes: first, papers which describe the interaction of two or more Mediterranean artistic traditions (international Futurism, for example, or the reception of French Surrealism in Algeria); second, two or more Mediterranean cultures (Alexandria’s Jewish community or relations between Greeks and Turks in Cyprus); third, depictions of the Mediterranean itself during the period (in, for example, Lawrence Durrell’s Bitter Lemons of Cyprus or Henry Miller’s Colossus of Maroussi); or, fourth, the myriad forms of Modernist and avante-garde art which emerged from a single location (such as Cavafy, Marinetti, Ungaretti and Durrell in Alexandria). Papers on similar themes will also be considered.

    Title: The Mediterranean and the Mediterranean World in the Age of Modernity

    Eds. Adam J. Goldwyn (Uppsala University) and Renee Silverman (Florida International University)

    CONTACT INFORMATION:

    For inquiries: adam.goldwyn@lingfil.uu.se

    For submissions: Email one to two page abstracts by June 15 to Dr. Goldwyn at adam.goldwyn@lingfil.uu.se

  • Call for Contributions for Edited Volume - Comparative Mediterranean Modernisms: Pan-Mediterranean Artistic Exchange in Literature

    Deadline: 15 June 2012

    For centuries, the Mediterranean Sea has both divided and joined the many disparate nations, cultures, language groups and artistic traditions which flourished in the Mediterranean Basin: the Maghreb, Iberia, Southern Europe, the Balkans, the Levant and Egypt. As a dividing line and barrier to inter-cultural exchange, it has allowed each of these regions and their many cultures to develop unique artistic traditions. As the major feature binding these diverse cultures together, however, it has also facilitated inter-cultural exchange. What happens, then, when these traditions travel, meet and merge with each other? How does the host country adopt and adapt the ideas and aesthetics coming from abroad to its own native tradition?

    This volume will look at such pan-Mediterranean artistic exchange (in literature as well as film, painting, music, photography, etc.) produced during or about the Modernist period, roughly the last quarter of the 19th century and the first half of the 20th. We welcome papers addressing any aspect of Modernist and avante-garde literature and art on four related themes: first, papers which describe the interaction of two or more Mediterranean artistic traditions (international Futurism, for example, or the reception of French Surrealism in Algeria); second, two or more Mediterranean cultures (Alexandria’s Jewish community or relations between Greeks and Turks in Cyprus); third, depictions of the Mediterranean itself during the period (in, for example, Lawrence Durrell’s Bitter Lemons of Cyprus or Henry Miller’s Colossus of Maroussi); or, fourth, the myriad forms of Modernist and avante-garde art which emerged from a single location (such as Cavafy, Marinetti, Ungaretti and Durrell in Alexandria). Papers on similar themes will also be considered.

    Title: The Mediterranean and the Mediterranean World in the Age of Modernity

    Eds. Adam J. Goldwyn (Uppsala University) and Renee Silverman (Florida International University)

    CONTACT INFORMATION:

    For inquiries: adam.goldwyn@lingfil.uu.se

    For submissions: Email one to two page abstracts by June 15 to Dr. Goldwyn at adam.goldwyn@lingfil.uu.se

  • Call for Papers: Science, Art, and Gender in the Global Rise of Indigenous Languages (University of Jendouba, Tunisia)

    Deadline: 1 June 2011

    In an extension of the extremely successful symposium held at the University of Haute Alsace, France 18-20 March 2011, titled “Asian American Literature and Maxine Hong Kingston’s Legacy”, the University of Jendouba co-organizes with UHA an International Conference, titled “Science, Art, and Gender in The Global Rise of Indigenous Languages” to be held in Jendouba, 26-29 October 2011, paying homage to the Tunisian Revolution in January 2011 and honoring the presence, participation and related works of Noam Chomsky and Maxine Hong Kingston (on the usage board of The American Heritage Dictionary of The American Language). The aim of the conference is to address indigenous issues, while also remaining within the continuity of Maxine Hong Kingston’s gender-sensitive literature.

    The encounter shall examine the contemporary rise of fully indigenous languages and dialects surviving up and through colonial, technological, mercantile, religious and other dominating languages. All suggestions in relation to these issues are welcome, though we are particularly interested in papers falling under the following panels:

    -What makes an indigenous language indigenous?
    -Legacy and residuals of indigenous languages from Britain to Brittany, Turkey to Tunisia, Algeria to America.
    -Relationship between Arabic and Berber in North Africa.
    -Gender issues and representations in literatures about indigenous languages and people.
    -Indigenous resistance.
    -The School of Genetic Linguistics/ Linguistic Genetics and new colonialism.
    -The colonial language layers on indigenous linguistic treasures.
    -Similarities between Algonquian Blackfoot and Cree with Hawaiian and Uto-Aztecan.
    -Perils and promises of Indigenous languages of the Americas.

    Confirmed speakers and paper-providers include Noam Chomsky (who will be at the conference by way of his paper, and possibly by way of a teleconferencing or skyping process), Maxine Hong Kingston, Louis Buff Parry, Yann Kerdiles, Sämi Ludwig, Edward Sklepowich, Mounir Triki, Abderrezak Dourari, Nessima Tarchouna, Leona Makokis/Leona Carter, Lynn Hannachi, Crystal S. Bull and Lewis Cardinal.

    To submit a proposal, please email in a word format an abstract (150 words including the title) and a brief biography (50 words) ON or BEFORE June 1st to the following contacts:

    -Louis Buff Parry: info@louisbuffparry.com
    -Sihem Arfaoui Abidi: aa_sassou@yahoo.com

    June 5th notification of selection.

    October 24th complete papers.

    Contact Information:

    For inquiries: info@louisbuffparry.com or aa_sassou@yahoo.com

    For submissions: info@louisbuffparry.com or aa_sassou@yahoo.com

    Website: http://www.uj.rnu.tn/

  1. Call for Entries: The COMESA Media/ Print Journalism Awards 2011 (Eastern/ Southern Africa)
  2. Job Opening: News Editor for Mail & Guardian Online (South Africa)
  3. Job Opening: Network/ News Editor for Internews (Sudan)
  4. Open to Women Journalists Worldwide: Elizabeth Neuffer Fellowship
  5. 2011 The African Network Annual Awards for Excellence in HIV /AIDS Communication in Africa