My Mind Words Paper [Search results for human right] 

The African Court on Human and Peoples’ Rights (the Court) was established by virtue of Article 1 of the Protocol to the African Charter on Human and Peoples' Rights on the Establishment of an African Court on Human and Peoples' Rights, (the Protocol) to complement the protective mandate of the African Commission on Human and Peoples’ Rights (the Commission), with a view to enhancing the protection of human rights on the continent.

The establishment, it was believed, would fill the gap identified in the operations of the Commission: that it can only make non binding recommendations, and therefore enhance the protection of human rights. The main purpose for the establishment of the Court therefore was to ensure the effective protection of human rights on the continent.

For the Court to achieve the purpose for which it was established, it must involve the different human rights actors, in particular; individuals, NGOs and States Parties to the African Charter on Human and Peoples’ Rights (the Charter) and the Protocol. These actors must understand not only the existence of the Court, but also its importance, how they can utilize it to seek remedy for human rights violations and such other information as may be useful.

Since the adoption of the Protocol in June 1998 (more than twelve years ago), only twenty six (26) of the fifty three (53) Member States of the African Union have ratified it, and only five (5) States Parties to the Protocol have made the Declaration under Article 34(6) thereto, allowing individuals and NGOs direct access to the Court. To date, the Court has rendered a final judgment in only one case – Michelot Yogogombaye v the Republic of Senegal, Application No. 001/2008, against a State Party that has not made the Declaration, and has received five cases
which are pending before it.

It is not certain why all fifty three Member States of the African Union have not ratified the Protocol and made the Declaration. However, it appears that one of the reasons is lack of information.

Experience from other regional human rights bodies, including the African Commission and the Committee of Experts on the Rights of the Child, shows that very few people know about the existence of these institutions, let alone, how they can access them. The situation may not be different with respect to the Court. It is probably the case that the majority of the people the Court was established to serve do not know about its existence, let alone, how they can access it.

The effective protection of human rights on the continent therefore requires the involvement of all the key stakeholders, including in particular, the general population, NGOs, NHRIs and Member States themselves. One way to involve these stakeholders is to engage them in dialogue, through meetings and other awareness and sensitization activities to address them about the Court, in particular, on its establishment, mandate, relevance to the protection of human rights and to national and regional development as a whole, as well as on the role each stakeholder can play or should play to ensure the effective protection of human rights in general and the effectiveness of the Court in particular.

This need for awareness raising and sensitization has been recognized and discussed on several occasions by the Court itself. It is against this background that this essay competition has been organized.

Aims and Objectives

The main objective of the essay competition is conscientize law students who may become future lawyers, human rights practitioners, academics and perhaps politicians about the role of the Court in the protection of human rights in Africa.

The specific objectives include:

- Educating Law Students about the Court
- Raising awareness of law students about their role in the human rights discourse
- Inviting law students to participate in the discussions on human rights in Africa and the role of the Court
- Encouraging students to explore new ideas on human rights and on the Court
- Sensitizing would-be lawyers and human rights practitioners on how to access and utilize the Court and the procedures before the Court

Brief description of activity

The essay competition involves inviting law schools and faculties across Africa to encourage and allow their undergraduate students to submit essays in five categories in accordance with the specific objectives of the competition. The Court will, together with this concept note, send invitation letters to Faculties and Law Schools inviting them to allow their students to participate in submitting essays on the five topics that will be communicated at the same time.

Topics and Size of the Essay

The five essay topics are attached to this concept note. Submissions thereon shall, inclusive of notes and bibliography, be between thirty (30) to forty (40) pages of typewritten script, on font size Arial 12.

Examiners/Markers

The Court will have sole discretion in the selection and appointment of examiners/markers for the essays.

Prizes

The top three essays in each category will receive prices at the discretion of the Court. The participating institutions which students attain the top three will also be awarded prizes at the discretion of the Court. The will organize a prize giving ceremony for the winning essays and institutions in accordance with the programme.

Copyright

The Court reserves the right to compile the essays into a compendium for publication and/or public dissemination for no profit and without notice to the authors. The Court may allow the authors to publish their papers in pertinent human rights journals.

Information material

All the basic documents of the Court will be given to each institution that agrees to allow its students to participate. These include the Charter, the Protocol, the Rules of Procedure, a background document on the Court.

Participants

The competition is only open to undergraduate students from participating Law Schools and Faculties, across the five regions of Africa, and faculties will be expected to vouch safe this requirement by supplying the full details of participating students as provided for in the invitation letter. Each institution will be required to allow one submission in a category of its or its student(s) choice. Female candidates are encouraged to participate.

Language

The essays will be submitted in any of the following languages: English, French, Arabic and Portuguese. The Court will be responsible for translation of the top three essays in each category into all the four languages.

Programme

The Programme for the competition is transmitted to Law Schools and Faculties with this concept note.

Further Information

Further information on the Court’s sensitization programme could be obtained from the Court’s website at www.african-court.org . For more information, please contact:

Ms. Jester Helena Charewa
Senior Legal Officer
African Court on Human and Peoples’ Rights
Email: jester.charewa@african-court.org or jestercharewa@yahoo.com.
Tel: +255 766 266 392 or +255788790728

Contact Information:

For inquiries: jester.charewa@african-court.org or jestercharewa@yahoo.com

Website: http://www.african-court.org

Deadline: 30 June 2012

Over the last few years, ANPAS, also through the support of important European networks like Samaritan International (SAMI) and the European Center for Volunteering (CEV), has developed a particular attention to European policies in the belief that our country can be a bridge to the countries of the Mediterranean. Last year we also acceded to the Mediterranean Autonomous Network for Youth (MANY), a network of youth in the Mediterranean that wants to promote the meeting and sharing of knowledge between youth belonging to different social and cultural groups, affirming a culture of learning. ANPAS doesn’t want volunteers to remain indifferent to the grand phenomenon that the countries bordering the mare nostrum are experiencing, which have appealed to our affluent society with movements of people (migration) and socio-political upheavals (the Arab Spring). So then? So we would like to see what’s in store beyond our shores, learn new ideas, and build relationships in the Mediterranean. Through this Call for Papers, we invite the youth of society, citizens 32 years of age and younger, to share ideas to better the world, to construct a more just and united society, for the development of a culture of solidarity, for the protection of the environment and of common goods.

Do you have an idea to change the world? Share it with us!

We have chosen the National Meeting of Solidarity that will be held in Puglia, a natural bridge between Europe and the Mediterranean, where 8 youth will present their projects: 8 ideas to change the world, in particular in the area of relations between Italy and the people of the Mediterranean, presented by youth of these countries.

HOW IT WORKS

Among all the ideas received by the 30th of June 2012, only 8 will be selected, that can be presented on the occasion of the International Conference of Youth of the Euromediterranean that will be held in Bari, Saturday the 29th of September 2012.

Therefore, if your idea convinces us, you will fly to Bari and have 10 minutes to present your idea, in the most attractive mode. Are you ready?

WHO CAN PARTICIPATE

The projects can be presented by youth under age 32, who can be residents in Italy or in these countries: Morocco, Algeria, Tunisia, Malta, Libya, Egypt, Turkey, Cyprus, Greece, Albania, Montenegro, Bosnia-Herzegovina, Croatia, and Slovenia.

We would also like to hear the ideas of immigrants that live in Italy but come from these countries: the true bridge of the Mediterranean!

CONDITIONS OF PARTICIPATION

To those who will be selected, you will be given the opportunity to participate in Bari at the entire National Meeting of Solidarity that will be held from Thursday the 27th of September to Sunday the 30th of September. ANPAS will pay the costs relative to accommodation, meals, and transfers to the headquarters of the Meeting. To promote better organization of the day, participants will make sure to specify the necessary logistics for transfers, so that we can make arrangements.

OFFICIAL RULES

These are the official rules for the Call for papers 8 ideas to change the world sponsored by Anpas.

SPONSOR

The call for papers ( the “call”) is sponsored by Anpas - Associazione Nazionale Pubbliche Assistenze located at via Pio Fedi 46/48, 50142 Firenze (FI) – Italy. Anpas telephone number is +39 055 303821 and the email address is internazionale@anpas.org. All inquiries should be directed via email.

CONTEST OVERVIEW

We have chosen the National Meeting of Solidarity that will be held in Puglia, a natural bridge between Europe and the Mediterranean, where 8 youth will present their projects: 8 ideas to change the world, in particular in the area of relations between Italy and the people of the Mediterranean, presented by youth of these countries.

Over the last few years, ANPAS, also through the support of important European networks like Samaritan International (SAMI) and the European Center for Volunteering (CEV), has developed a particular attention to European policies in the belief that our country can be a bridge to the countries of the Mediterranean. Last year we also acceded to the Mediterranean Autonomous Network for Youth (MANY), a network of youth in the Mediterranean that wants to promote the meeting and sharing of knowledge between youth belonging to different social and cultural groups, affirming a culture of learning. ANPAS doesn’t want volunteers to remain indifferent to the grand phenomenon that the countries bordering the mare nostrum are experiencing, which have appealed to our affluent society with movements of people (migration) and socio-political upheavals (the Arab Spring). So then? So we would like to see what’s in store beyond our shores, learn new ideas, and build relationships in the Mediterranean. Through this Call for Papers, we invite the youth of society, citizens 32 years of age and younger, to share ideas to better the world, to construct a more just and united society, for the development of a culture of solidarity, for the protection of the environment and of common goods.

In ANPAS, we believe that the collaboration of different worlds gives birth to better ideas: share your experience and knowledge, and together we will try to transform our ideas into a concrete project, that through intercultural dialogue can have a real impact on the territories.

PROCESS

Fill out the form in all its parts: completing your profile information and information related to your project, taking care to respect the maximum length expected. Then send the form via email to: internazionale@anpas.org The call will run from 12:00 PM(CET) May 10, 2012 to 12:00 PM(CET) June 30, 2012. Anpas has the right at anytime to terminate the Call at its sole discretion.

SELECTION CRITERIA

All action plans received will be evaluated by a Commission, composed of individual members of Anpas, which will choose the 8 most original, creative, practical and effective ideas. A complete action plan has to contain the following elements, which are the selection criteria for the Evaluation Commission.

• Summary – Give the objective of the plan, the instruments, and the anticipated results. Include how this approach is new/unique and will be more successful than other approaches.

• Needs assessment – Present an analysis of the conditions faced in the targeted area. Explain why such conditions deserve greatest concern, and why these specific challenges have hindered development in the locale.

• Necessary resources – State the financial and other resources needed for the initiative.

• Plan the execution – Describe the initiative, the target audience, the methods to achieving results and an activities schedule.

• The real impact – Indicate the results of initiative, how many people will be affected, and the anticipated time to achieve results. Among all the ideas received, only 8 will be chosen:

• One (1) will be chosen among proposals of Italian subjects;
• Six (6) among proposals of subjects coming from the Mediterranean basin: Morocco, Algeria, Tunisia, Malta, Libya, Egypt, Turkey, Cyprus, Greece, Albania, Montenegro, Bosnia-Herzegovina, Croatia, Slovenia;
• One (1) among proposals of young migrants residing in Italy coming from countries listed above;

Each participant states and guarantees that any submission he/she posts is original, and does not violate or otherwise infringe upon any rights of any third party and that such submission will not violate agreements the participant has with any third party or otherwise.

In the event that Anpas’ use of the submission is challenged by any third party, the participant agrees at his/her own expense to provide information and cooperate including, without limitations, participating in any legal or administrative action with Anpas.

WINNERS ACKNOWLEDGEMENT

To those who will be selected, you will be offered the opportunity to participate at the National Meeting of Solidarity which will run from Thursday September 27,2012 to Sunday September 30,2012 in Bari.

Anpas will bear the costs of room, board and travel to reach the Meeting place. To accommodate the best organization of the days, participants will have to specify their logistic needs about travel, which we will arrange.

Moreover winners can participate in the free events scheduled of the Meeting, understanding that expenses not expressly stated in the rules are an exception. The winner agrees to accept the dates and spaces established, such as hotels, airlines, trains, ships, etc. The winner agrees that the acceptance of any trip as a prize is their own initiative, risk, and responsibility. The winner needs to have a valid passport and visa if necessary. If the winner does not have a valid passport and/or visa at the time, the trip will be cancelled.

NOTIFICATION OF THE WINNERS

The winners will be contacted via email within fifteen (15) working days from the deadline. It will be requested that they complete and send to Anpas an entry form. If it is not possible to contact you within seven (7) working days from the first attempt to notify, the prize will be designated to the participant ranked immediately below.

DATES

The call will be open from 12:00 PM (CET) on May 10, 2012 until 12:00 PM (CET) on June 30, 2012. All proposals submitted during this period will be valid. Announcement of the Winners Anpas will announce the winners and publish their names on their website www.anpas.org, following the close of the call and the receipt by Anpas of the participation form and other necessary information.

USE OF WINNER’S DATA AND INFORMATION

Each winner who accepts the prize grants to Anpas the right, at any moment and from time to time, to disclose to a third party, print, publish, broadcast and use, worldwide and in any media now known or developed in the future, including through the Internet, the name, portrait, photograph, voice, and biographical information of each winner for informational purposes, publicity, and promotion, without additional consideration, except where prohibited by law.

DISQUALIFICATION

Anpas reserves the right, at its exclusive discretion, to disqualify any participant it deems ineligible to participate in the contest. Failure to comply with these rules may result in a participant’s disqualification.

COST

There is no cost to participate in the call. Each participant is responsible for his or her own costs to participate in the call.

ELIGIBILITY

The call is open to proposals presented by youth under 32, who have reached the age of maturity in their own country or who are at least 18 years old.

THE PARTICIPANTS MUST BE:

• Citizens residing in Italy;
• Citizens residing in the following countries: Morocco, Algeria, Tunisia, Malta, Libya, Egypt, Turkey, Cyprus, Greece, Albania, Montenegro, Bosnia-Herzegovina, Croatia, Slovenia;
• Migrants who live in Italy, coming from the countries already mentioned.

Any person who violates a rule, obtains an advantage in a manner banned by participation in the call, or obtains the status of winner with fraudulent means, will be disqualified. Any unsportsmanlike, disruptive, harassing, or threatening behaviour is forbidden. Anpas will interpret these rules and eventually resolve controversies, conflicts, or ambiguities relating to the rules of the call, and the decisions of the Sponsor in respect of such disputes shall be final. If the conduct or outcome of the call is affected by human error, any mechanical malfunctions, or failures of any kind, intentional interference or any event beyond the control of the Sponsor, Anpas reserves the right to terminate this call, or make other such decisions regarding the outcome of the call that the Sponsor deems appropriate.

Any attempt by a participant or any other individual to deliberately disrupt or damage ordinary operation of this call, telephone systems or websites is a violation of criminal and civil laws. If an attempt is made, Anpas reserves the right to seek damages from any such participant to the fullest extent permitted.

The winners must use their true name (as it appears on their government issued ID) when participating in the call and may not participate when using a false name.

COMPLIANCE WITH THE LAW

The conduct of the call is governed by the applicable laws of the Italian Republic, which take precedence over any rule contrary herein. This call is void and not offered by ANPAS in any jurisdiction where it is prohibited or limited by the applicable laws.

LIMITATION OF LIABILITY

If for any reason the call is not capable of running as planned, including infection by computer virus, bugs, tampering, unauthorized intervention, fraud, technical failures, or any other causes which corrupt or affect the administration, security, fairness, integrity, or proper conduct of this Call, ANPAS reserves the right at its sole discretion, to disqualify any individual who tampers with the Call, and to cancel, terminate, modify or suspend the Call.

Anpas also does not assume responsibility for any errors of omission, interruption, cancellation, defection, or delay of the operation or transmission, communication line failure or destruction, or unauthorized access or changes to entries.

Anpas is not responsible for any problem or technical malfunction of the Internet or phone lines, online system, server, provider, or computer software. Anpas does not assume responsibility for technical problems or traffic congestion on any Internet site, or any combination thereof, including any damage or injury to the participant’s or any other person’s computer in connection with participation in the call.

Anpas is not responsible regarding any problem receiving the entry, which is the sole responsibility of the participants. The winners agree to hold harmless Anpas, its officials, employees, affiliates and representatives for any injury, accident, malfunction, or legal cause of action arising from, or in connection with, participation in the call. By participating in the call, all participants and winners waive all claims of liability against Anpas, its employees, the sponsors, and their respective employees, for any personal injury or loss that may arise from participation in the call or acceptance of the prize.

LIMITATION OF REMEDIES

Under no circumstances, including negligence, shall Anpas, or its officials, directors, employees, or representatives be held liable for any direct, indirect, incidental, consequential, punitive, or exemplary damages, including but not limited to, the loss of profits, or other economic losses deriving from participation in the call, posting on or access to or downloading of any type of material or information from any web site owned by Anpas, or acceptance or usage of a payment, including but not limited to, damage to property and to the maximum extent permitted by law, damages for bodily or personal injury, even if Anpas or any affiliates, their successors or delegates or any of their respective officials, directors, employees, agents, or representatives have been advised of the possibility of such damages or loss. Some jurisdictions do not permit the exclusion or limitation of incidental or consequential damages, so the above limitations or exclusions may not apply to the participant.

Each participant agrees that the limitations and exceptions contained in these rules represents an agreement between the participants and ANPAS as to the allocation of risk between them in connection with the Sponsor’s obligation under these official rules.

AMENDMENTS

Anpas reserves the unilateral right to suspend, cancel, terminate, or modify the call without advance notice and thereafter to re-commence this call, only at such times and in the terms and agreements that Anpas shall deem reasonable under the circumstances.

In the event that any term of these official rules is in conflict with the law under which these rules were construed, or if any term is considered invalid by any court of competent jurisdiction, such term shall be deemed to be restated to reflect, if possible, the original intention of Anpas and the participants, in accordance with the applicable law, and the remainder of the official rules will remain in full effect. In the event that such invalid provision relates to matters which constitute the essence of these official rules, and such provision cannot be restated to reflect the original intention of the parties, the call shall be deemed null and void.

SURVIVAL

Notwithstanding any expiration or other termination of this call, and except in the event that this call shall be void in its entirety, the provisions of these official rules, which by their nature survive expiration or termination of the call, will remain in full effect until each such provision expires with its respective term.

Download: application form

CONTACT INFORMATION:

For queries/ submissions: internazionale@anpas.org

Website: www.anpasnazionale.org/

Scifia is a science fiction publishing entity committed to promoting best practices among human beings for furthering the development of the consciousness and technological prowess of the human race.

THE YES-YES LIST

Scifia is open to most subgenres. This includes hard scifi, political scifi, psychological scifi, sci-comedy, sci-horror, and sociological scifi. However, we are actively seeking submissions of the following kinds:

• Alien protagonist – Any story where the main character is an alien, particularly those told from the alien’s POV
• Alternate universe – Any story for which the many worlds theory has to be true within the universe of the story or any alternate history story which does not fall into a category on the NO-NO list (see below)
• Cyber – Any story where if someone asked you what subgenre your story fits into, you could easily fit a “cyber” into your description
• Elections – Alien elections, intergalactic elections, elections of military leaders, elections of humans to political office etc.
• Extinct creatures – Any science fiction story featuring an organism currently known or believed to be extinct
• GLBTQI – Any science fiction story featuring a main character who is gay, lesbian, transgendered, queer, intersex or otherwise possessed of a sexuality, sexual morphology, gender identity or gender expression which is not describable as “heterosexual,” “male,” “female,” “man,” or “woman” as traditionally misunderstood.
• Time travel – Yes, we want time travel stories. Believe it or not. But please no: grandfather paradoxes, “Time Patrol” rip-offs, or stories where the invention of time travel requires that time travel already exists

If you have a great story that you think would be suitable for Scifia, click the "Submit to Scifia" button below. You will be taken directly to our submission form.

Do not include a bio or history of prior publication. Submissions will be evaluated on the basis of quality and marketability.

HOW CAN I MAXIMIZE MY CHANCES OF GETTING A STORY ACCEPTED?

When reviewing works of science fiction, our editor has two fundamental questions in mind:

• Is this an example of good writing in general?
• Is this story enhanced in a meaningful way by its science fiction element(s)?

THE NO-NO LIST

Please do not send:

• 2nd person POV stories
• American Civil War alternate history stories
• Any story featuring elves, fairies, gnomes etc. in a purely fantasy setting
• Any story featuring vampires of any kind in any setting
• Any story making more than passing reference to the “laws of robotics”
• Fan fiction of any kind
• FanboyZ in space!
• Grandfather paradoxes
• Poetry (unless you are Rimbaud or Bukowski)
• Pure horror
• Stories without a clear beginning, middle and end

HOW DO I GET PAID?

Authors will be paid $25 via PayPal upon acceptance, for any story of any length.

Royalty pay is on the following schedule:

An ISSUE is any collection of stories and/or articles packaged together for sale in any electronic or print format, with the exception of the Scifia website(s) and any Scifia related promotional materials.

For any author who submits an accepted story prior to September 1, 2012 a 30% royalty on net receipts for any Scifia ISSUE within which the accepted work appears will be split equally between authors contributing to that ISSUE. This royalty will be paid on a quarterly basis for twelve months following the first publication of said story in any ISSUE in which it appears.

If you are thinking about submitting a work that has not been previously published, keep in mind that most publications will not publish pieces that have been previously published in print, eBook, or on the web. After we publish your work, it can only be marketed as a reprint. This severely limits the number of markets that will accept it, and drastically reduces the pay rate it can receive. It is up to you, as an author who has likely worked many hours to produce your work, to decide if publishing your piece in ebook, epub, ibook, audiobook, podcast and/or webcomic format(s), and giving up your First Publishing Right for a mere $25 and your share of 30% of net receipts, is really what you want to do.

WHAT RESPONSE TIME SHOULD I EXPECT?

You should receive word regarding your submission within four weeks of sending your initial email. If you have not heard back in four weeks time, you should inquire at: submissions@scifia.com.

SIMULTANEOUS SUBMISSIONS AND PREVIOUSLY PUBLISHED STORIES

Simultaneous submissions are discouraged. That said, we have no problem publishing a story that is going to appear in another publication or that has already done so. What we don’t want is the scenario where we suddenly find out that we cannot publish a story that you submitted and we accepted without incurring a large headache. Let us know immediately if a story you have submitted to Scifia has been accepted elsewhere.

RIGHTS

Upon acceptance of your submission, Scifia reserves the NONEXCLUSIVE right to publish your content for sale in any format, including but not limited to ebook, epub, ibook, audiobook, podcast and webcomic. You retain the right to do the same and to sell anyone else the NONEXCLUSIVE right to also publish your work. We do not even ask that you refrain from self-publishing your content during any period of time. (Courtesy link-backs, however, are always appreciated, where applicable.) Go ahead and sell yourself. We will sell you too.

Scifia will make no substantive alterations to your work’s text or title without your express approval.

CONTACT INFORMATION:

For queries: submissions@scifia.com

For submissions: via submishmash

Website: http://www.scifia.com/

Deadline: 30 June 2012

Everyday, in each part of the world, lesbian, gay, bisexual, transgender and intersex people (LGBTI) suffer from severe episodes of violence and discrimination, which are clearly against their human rights. One of the last examples is represented by the case, reported by international press and media in the previous weeks, of young “emo” killed in Iraq due to their alleged homosexuality. Militias that committed murders (at least 58 young victims during the last weeks, but the number is to increase), are thought to have acted following a “list” with names of people accused of having eccentric attitude, excessively feminine, and for that reason being homosexual.

At the beginning of this year, UN Secretary General Ban Ki-Moon has called on the international community to put an end to discriminatory actions against LGBTI communities. His statements was particularly directed to the African Countries that more and more frequently promote discriminatory and xenophobic legislation towards LGBTI people, in that way putting at risk their integrity and personal security. Although advocacy campaigns and programs aimed at ending discrimination and human rights violations are worldwide diffused, the way to a full recognition and international protection of LGBTI communities is still too long.

Considering the experience gained over time by NPWJ, working in the field of democracy in Middle East and North Africa, and bearing also in mind the profound changes followed to the outbreak of Arab Spring, it seemed the right occasion to analyse the way in which LGBTI people's rights have been influenced by the changes actually going on in almost all the countries involved in the events of the Arab Spring. The issue of LGBTI rights within the Arab Countries is particularly pressing and delicate, not so frequently considered by media, due both to political reasons and socio-cultural taboos, and this is way there's only few and informal documentation available. Starting from preliminary information founded and received, but also considering the difficulties faced in the research of direct and reliable sources regarding this issue, NPWJ has decided to work on this topic, giving direct voice to people truly interested in the possible link between the “Yasmine Revolution” (as Arab Spring is frequently called) and LGBTI rights.

In this framework, No Peace Without Justice, in cooperation with the radical association Certi Diritti e and the Nonviolent Radical Party, Transnational and Transparty (NRPTT) is launching a writing contest on LGBTI rights in the MENA Region and the Arab Spring: “The people demand the end of discrimination”.

The contest is open to MENA Region individual activists and associations with an interest in LGBTI rights.

Participants are required to write an essay, paper or article addressing whether and how the Arab Spring/Jasmine Revolution has affected LGBTI Rights and/or how LGBTI rights activists have contributed to the democracy movement. In particular, they should be able to underscore whether the Arab Spring has led to any developments, be they positive or negative, in the field of LGBTI rights in their countries.

The selection and shortlist of the best contributions will be done by an international jury of eminent personalities in human rights field.

Short-listed essays will be published even under pseudonym if necessary and promoted by No Peace Without Justice. The top three submissions will each receive a monetery prize of 700 USD each.

DEADLINES

Participants need to register by Monday 30 April 2012 by mail to lgbti@npwj.org, with a brief description (between 100 and 300 words) of the essay, name (individual or organization), age, email, city and country. Only participants registered by 30 April 2012 will be able to take part in the writing contest.

Essays will be between 2000 and 3500 words, and are due on 30 June 2012.

Participants’ personal information will be kept in the strictest confidence and essays can be published under a pseudonym if preferred. However, No Peace Without Justice will need the real names and addresses of participants in order to transfer funds and comply with copyright requirements.

Download the flyer in English, French, Arabic

CONTACT INFORMATION:

For inquiries: lgbti@npwj.org

For submissions: lgbti@npwj.org

Website: http://www.npwj.org

Deadline: 1 May 2012

Oakseed Ministries International is proud to announce their seventh annual international essay contest for youth on the topic: Compassion and the Illiterate Child. Students are invited to explore the issues facing child illiteracy and to offer innovative ideas to help these children.

2012 Contest Topic is "Compassion and the Illiterate Child". The deadline for the essay contest is May 1, 2012. First place, second place, and honorable mention prizes will be awarded for the amounts of $1,000, $500, and $250. The two age categories are 17 & under and 18-22. The winner will be notified in June 2012 and winning essays will be posted on our website. Submissions will be accepted starting December 1, 2011.

GUIDELINES

ELIGIBILITY REQUIREMENTS

To be eligible to submit an essay, students must meet the age requirements as of May 2, 2012. You may submit only ONE essay.

Age Categories

• 17 & under: 5,000 characters or less ( 1000 words in length).
• 18 – 22: 7,500 characters or less ( 1500 words in length).

• The essay must be an original, unpublished work.
• Essays may be written in the formal or informal voice, but most importantly, an individual perspective should be present within the essay.
• Sources are to be cited in the text. Do not use footnotes or endnotes. You do not need to provide a bibliography.

Essays may be written in the formal or informal voice, but most importantly, an individual perspective should be present within the essay.

Sources are to be cited in the text. Do not use footnotes or endnotes. You do not need to provide a bibliography.

Essays should be typed in 12-point font, double-spaced with 1″ margins. On the lower right corner of your last page enter your word count. Your name must not appear on the essay pages, only on the cover sheet.

Entries that do not meet these submission guidelines will be automatically disqualified. Entries will not be returned. All entries must be postmarked by May 1, 2012.

AWARDS AND RECOGNITION

$1,000 will be awarded to the author of the best essay in each age category. Second place essays will receive a $500 award and Honorable mention will receive a $250 award. The winners will be notified in June 2012 and the winning essays posted on the Internet at http://essay.oakseed.org.

ESSAY EVALUATION CRITERIA

Each essay should:

• Demonstrate a clear understanding of the issues surrounding child illiteracy and its implications on society.
• Show the author has personally wrestled with the nature and character of compassion.
• Demonstrate the student’s own serious reflection on the current and future problems of child illiteracy.
• Be focused and well-reasoned.
• Use correct spelling and grammar.

• Awareness of the problem (1/3 total score): Demonstrate knowledge and depth of understanding about the issue from your research.
• Quality of analysis (1/3 total score): Develop your own perspective on the issue. This perspective should be reflected in your analysis of and your personal response to the issue.
• Style and mechanics (1/3 total score): Use proper spelling and grammar. Your response to the topic should be clear and original.

FOREIGN LANGUAGE SUBMISSIONS

Essays may also be submitted in Spanish, Portuguese, French, Korean, Swahili, Japanese, and Chinese. See www.oakseed.org/essay for submission guidelines and information on other languages.

HOW TO SUBMIT YOUR ESSAY ONLINE

To submit your essay online, visit http://essay.oakseed.org for more information and the submission form. All submitted essays must be either in a .pdf or .doc format.

Privacy: Personal Information Form provided by entrants will be used by Oakseed Ministries for contest purposes only and will not be shared or used for solicitation purposes.

RECEIPT DEADLINE

Essays must be submitted by 11:59pm EST on May 1, 2012.

ESSAY CONTEST TOPICS

Choose one topic and write an essay exploring the specific area, keeping in mind the backdrop of compassion.

• Survey the problem of illiteracy among poor children. Which countries have the highest children’s illiteracy rates and why? What countries are effectively dealing with this issue and how?
• What is the most effective way to teach children to read? Compare and contrast the “look and say” method and the “intensive, systematic phonics first” method. Is either effective, or is there a better method for teaching children to read?
• Many disorders hamper development of reading skills. Discuss the different learning disabilities. What are the causes of these disabilities; biological factors or the learning environment? What methods help each disability most effectively?
• Illiteracy and crime. Select 2-3 countries or American cities and compare the illiteracy and crime rates. Discuss efforts to promote literacy in high-crime areas and what involvement you could have with them.
• Illiteracy, culture, and the internet/mass media. How do both cultural norms and modern day technology contribute to the pandemic of illiteracy? What are solutions to this problem?
• Economic impact of illiteracy for the family, the community, and nations. Is there a relationship between illiteracy and poverty? Is literacy a basic human right of a child? Discuss how children’s literacy should be included in the economic plan of a nation.
• What are outstanding examples of literacy development among children? Choose three individuals, organizations, or government agencies that have focused on this area. Describe their methods and list the major results. Is there a way for you to exercise compassion by helping one of these?

For submissions: use the essay contest submission form here

Website: http://oakseed.org

Deadline: 15 June 2012

In celebration of cultural unity and respect, Harvest International welcomes poetry submissions in any language. International contributors are welcomed to submit as well.

Each issue, Harvest International awards two poetry prizes:

• Steve Whaley Poetry Prize — $200 — to the U. S. contributor whose poetry most eloquently expresses the human condition while promoting greater awareness of human interrelatedness.
• Other Voices Poetry Prize — $200 — awarded by Roger Humes to the international contributor whose poetry best fulfills the above criteria.

The winner must provide tax ID number or social security number, signature, and full legal name in order to receive payment from Cal Poly Pomona Foundation. The recipient has the right to refuse payment.

SUBMISSION GUIDELINES

Harvest International is seeking original, unpublished poetry, short fiction, song lyrics, essays, and black and white artwork from children and adults.

In celebration of cultural unity and respect, we welcome poetry submissions in any language, as well as submissions from international contributors.

Entrants may submit one piece in each category. Manuscripts must be typed, double-spaced, and should not exceed 3000 words. Please follow MLA standards where applicable.

Please e-mail your manuscript and a brief bio to the Harvest Editor-in-Chief, Jill Walker, at jswalker@csupomona.edu. Submit two copies: one with no identifying information, and one with a cover page including your name, preferred mailing address, telephone number, and email address.

If you prefer, send hard copies of your manuscripts, along with a WORD (not PDF) formatted disk and a brief bio to the following address:

Harvest International
c/o Faculty Advisor, Professor Gill-Mayberry
Cal Poly University, EFL Department
3801 West Temple Ave.
Pomona, CA. 91768

All rights revert to the author upon publication.

CONTACT INFORMATION:

For inquiries/ submissions: jswalker@csupomona.edu

Website: http://www.csupomona.edu

Deadline: 5 April 2012

ICTs, New Media and Social Change in Africa

Conference organised by the Africa Media Centre

In Africa, as in many societies, new technologies increasingly play a prominent role in the production and exchange of information. In spite of their limited penetration on the continent, new information technologies are beginning to have a noticeable effect on politics, activism, culture, entertainment and many other facets of public and private life. There is frequent usage of the Internet and of mobile devices, the rise of influential blogs and news sites, evidence of social media that are more than tools for self-presentation together with the overreliance of major newspapers, radio and television on websites for a broader and more diverse reach in ways that suggest a paradigm shift and the alteration of social values in communication practices today. Evolving media policies, attitudes and use patterns in Africa and the Global South remarkably indicate that the benefits of ICTs and New Media are not confined to the Global North alone.

Key questions, however, relate to how new forms of communication technologies have advanced or subverted social change in Africa. The purpose of this one-day conference is to bring together African scholars from diverse disciplines to collectively explore the thematic issue of the transforming role of ICTs and new media. We are concerned to bring to the fore sub-themes of changing production environments, shifts in funding mechanisms, the role of audiences/users, regulation debates and the ICTs’ potential for human development. Wikileaks have, for example, shown how African governments have struggled to maintain transparency and uphold their citizens’ right to information.

The Arab Spring and other manifestations of tension and struggle among governments, citizens and terrorists, call for debates on social transformation in the context of new media and ICTs. To address these and similar issues relating to the theorisation of the role and influence of new media technologies in Africa, we invite scholars to submit panel proposals and/ or abstracts in the following and related areas:

• Theoretical and Conceptual Issues on New Media and Social Change
• Citizen empowerment, Diasporas and new media
• Social media for Social Change in Africa
• Mediating history in a digital era
• Human development and new ICTs
• New media tools in politics, persuasion and electioneering
• ICTs and Anti-Corruption Campaigns in Africa
• Health Communication, ICTs and New Media in Africa
• Old Media and New Media in Africa
• Regulation of ICTs and new Media in Africa
• Resistance, Activism and New Media Cultures in Africa
• New Media Practices and Organisations in Africa
• Journalism and Media Education in the Digital Age
• From Audiences to Consumer-Producers
• Mobile Phone Revolutions in Africa

The conference organizers welcome abstracts that feature high quality conceptual papers, as well as qualitative and quantitative empirical research papers. Abstracts from individuals including graduate students are welcome.

The deadline for abstracts is Thursday 5 April 2012. Successful applicants will be notified by Monday 16 April 2012. Abstracts should be 300 words long. They must include the presenter's name, affiliation, email and postal address, together with the title of the paper. Please send abstracts to Helen Cohen at journalism@westminster.ac.uk

PROGRAMMES AND REGISTRATION

This one day conference will take place on Friday 15 June 2012. The fee for registration (which applies to all participants, including presenters) will be £95 with a concessionary rate of £45 for students, to cover all conference documentation, refreshments and administration costs. Registration will open in April 2012.

CONTACT INFORMATION:

For inquiries: journalism@westminster.ac.uk

For submissions: journalism@westminster.ac.uk

Website: http://www.westminster.ac.uk/research/a-z/africa-media-centre

Set them after snow-beasts in the Himalayas, sea-monsters off of Komodo, or sandworms in Egypt. Give us legend, folklore, or beasts unknown that never leave the shadows.

We are now accepting submissions to THE TRIGGER REFLEX, the exciting sequel to LEATHER, DENIM & SILVER!

The moon is rising. Your breath frosts the air as your grip tightens over the weapon, as you slip into the woods with a single thought… The job is not done. The Monster Hunter is a breed apart, destined to a life filled with anguish, wild triumph, and blood. We want more of their very best
stories.

For inspiration, follow Van Helsing from Dracula, or Sylvester James from Autobiography of a
Werewolf Hunter. Follow Quint from Jaws, Tangina Barrows from Poltergeist, or even Ripley from Alien.

Tell the stories of those that hunt these monsters, stories filled with wild chases, hair-raising
close calls, tragedy, regret and bloody victory. Make them gritty, give them punch, or make them subtle, creepy and suspenseful. You are welcome to dazzle, but bleak will be equally appreciated.

Make the hunters heroes, or make them more evil than the creatures they hunt. Give them blind determination and a hell bent desire to win no matter what the cost, or let them face a moral uncertainty over whether or not they’re doing the right thing by killing…

Please keep in mind:

*The story must include a human hunter, or a group of hunters, after a monster (any fictional
monster. No human monsters...).

*New takes on the classic Vamp and Werewolf myths are most welcome.

*The hunter(s) can live or die.

*The monster(s) can be killed, kill the hunter(s), or get away.

*The story may take place in the past, in current times, or the future, including well-done
sci-fi.

*The story can, and in most cases should, include the hunter's chase and confrontation with the
monster.

*Guns, knives, explosives and steel-traps are good.

*Falling in love with the monsters is unacceptable, unless the hunter dies.

*New for this volume

* We’re open to reading very well done sci-fi stories this time.

We would also like to learn more about the organizations that inevitably back the hunters
up.

Try to keep the stories within 2,000 to 7,000 words in RTF or DOC format. Please email Miles if
you have something longer that you feel really fits the theme. All of the usuals apply: no gore-porn, hard-core porn, or anything that isn’t vital to the story. No needless cruelty to animals or children. Keep the story tight, action packed, and write it like you want to see it splashed on the big screen.

Expected response time is under THREE months (please query if you have not received a response within 90 days). We regret that, due to the volume of submissions, we are unable to give personal criticism.

No reprints, no multiple submissions, no simultaneous submissions. Word count should be approximately 2,000-7,000 words

Payment: ¼¢ per word, payable upon publication; free PDF copy of the book upon publication

The Trigger Reflex:
Legends of the
Monster Hunter II
Edited by Miles Boothe
Reading Period: OPEN UNTIL FILLED

To submit, please use our ONLINE SUBMISSIONS MANAGER. Our standard writer’s
guidelines apply.

Contact Information:

For inquiries: pillhillpress@gmail.com

For submissions: click here

Website: http://www.pillhillpress.com

Deadline: 15 June 2012

In celebration of cultural unity and respect, Harvest International welcomes poetry submissions in any language. International contributors are welcomed to submit as well.

Each issue, Harvest International awards two poetry prizes:

• Steve Whaley Poetry Prize — $200 — to the U. S. contributor whose poetry most eloquently expresses the human condition while promoting greater awareness of human interrelatedness.
• Other Voices Poetry Prize — $200 — awarded by Roger Humes to the international contributor whose poetry best fulfills the above criteria.

The winner must provide tax ID number or social security number, signature, and full legal name in order to receive payment from Cal Poly Pomona Foundation. The recipient has the right to refuse payment.

SUBMISSION GUIDELINES

Harvest International is seeking original, unpublished poetry, short fiction, song lyrics, essays, and black and white artwork from children and adults.

In celebration of cultural unity and respect, we welcome poetry submissions in any language, as well as submissions from international contributors.

Entrants may submit one piece in each category. Manuscripts must be typed, double-spaced, and should not exceed 3000 words. Please follow MLA standards where applicable.

Please e-mail your manuscript and a brief bio to the Harvest Editor-in-Chief, Jill Walker, at jswalker@csupomona.edu. Submit two copies: one with no identifying information, and one with a cover page including your name, preferred mailing address, telephone number, and email address.

If you prefer, send hard copies of your manuscripts, along with a WORD (not PDF) formatted disk and a brief bio to the following address:

Harvest International
c/o Faculty Advisor, Professor Gill-Mayberry
Cal Poly University, EFL Department
3801 West Temple Ave.
Pomona, CA. 91768

All rights revert to the author upon publication.

Deadline: 18 May 2012

JOB PURPOSE: Edit stories and design pages in line with the Orumuri strategy to make the newspaper value-for-money, self-sustaining and profitable, while advancing society.

KEY RESULT AREAS

Edit stories in standard grammar and ensure that they are balanced and fair and suit Orumuri’s house-style and editorial policy. The copy must, therefore/be free of libel and inaccuracies, logical, coherent and appealing to readers, and make the newspaper credible and authoritative.

• Where necessary, re-write, crop, restructure and re-angle the story in consultation with writers and senior editors.

• Write catchy headlines and captions that suit the stories and photos and attract readers.

• Coach and provide feedback to the writers to ensure stories are multi-sourced, balanced, up-to-date, and complete and suit Orumuri’s style and editorial policy.

• Design novel, attractive and easy-to-navigate pages that enhance the reader-friendly house-style in order to maximise use of the valuable space available on each page.

• Plan well the available time to meet both the individual and section deadlines so that pages are delivered to the Production Department in time.

• Participate in reviewing the newspaper, proof-reading and checking their own and fellow sub-editors’ pages to eliminate repetitions, typos, general errors, and improve content.

• Place the right adverts on the page correctly ant alert supervisors if anything is wrong with the adverts.

• Save pages on the appropriate network folders for easy access by Website, Production, the Editors and other stakeholders.

QUALIFICATIONS AND EXPERIENCE

• A Bachelor’s degree from a recognized University.
• Proficiency in written and spoken Runyankole /Rukiga.
• Computer literacy especially in Microsoft Word and Adobe Photoshop.
• At least a working experience of three years as ; journalist.
• Ability to work under tight deadlines.

CONTACT INFORMATION:

For submissions: if you meet the above criteria, send your application to Chief Human Resources Officer, Vision Group, P.O. BOX 9815, Kampala, 1st Street Industrial Area

Website: http://www.orumuri.co.ug/

Deadline: 15 August 2011

A free press is the foundation of a working democracy. And Egypt right now is in the process of pouring the concrete that will give shape to a foundation for a new Egypt after “the January 25 Revolution” succeeded in toppling President Hosni Mubarak.

At this time of dramatic change in Egypt, GlobalPost and The Open Hands Initiative seek to bring together approximately 15 young journalists from Egypt and America to collaborate and learn from each other about how best to cover a democracy in transition.

The project, tentatively set to take place from October 10 to 22, will create a team of journalists who are starting out in their careers. These reporting fellows will be provide the opportunity to work together to produce a GlobalPost “Special Report” on the impact of the revolution in Egypt. All expenses will be paid for this fellowship and those who produce work that is accepted for publication on GlobalPost will be paid a standard rate for freelance articles.

The fellowship will begin with a three-day seminar that will feature a list of prominent speakers, including leading Egyptian political analysts, human rights workers as well as veteran journalists from Egypt and America. These speakers will brief the reporting fellows on the dramatic changes unfolding in Egypt and the challenges that lie ahead, and provide them a base of understanding to go out in the field in Cairo and across Egypt to carry out their reporting.

They will be assigned to cover issues including: the emergence of new political parties; the stumbling efforts to reform a police force accused of widespread abuses; the role of the Egyptian military in the transition of power; the rights of women and minorities; and the impact of the internet and social networking on the revolution and what role it will play in the future.

Based on its field reporting, the team will produce a multi-part series to be published by GlobalPost. They will also contribute to a blog which will document the daily journey of the team. The reporting fellows themselves will be responsible for posting blog entries, including short written vignettes, photo galleries and video clips. In the end, GlobalPost will work with the fellows to review all of the material they have gathered and help them give edit, fact check and give shape to a “Special Report.”

This collaborative report and daily blog will be written and produced in Arabic and English and will reach GlobalPost’s loyal and engaged audience of 2 million monthly unique visitors. As GlobalPost’s co-founder and Executive Editor, I will be leading the reporting project in the field along with GlobalPost’s Senior Correspondent in Cairo Jon Jensen and the VII Photo Agency’s co-founder Gary Knight.

The project is being funded through support from the The Open Hands Initiative, a New York-based non-profit foundation, dedicated to improving people-to-people education and understanding worldwide through projects that emphasize shared values and common humanity. The Open Hands Initiative was established by Jay T. Snyder, an American businessman and philanthropist, and he will direct the seminar.

Both GlobalPost and The Open Hands Initiative are dedicated to the idea that by working together this team of Egyptian and American journalists will learn from each other, deepen the bond between their two countries and produce quality reporting that will enlighten and inform. These two organizations are both committed to ensuring that this project is completely independent and free of any government or partisan ideology.

APPLICATION REQUIREMENTS

QUALIFICATIONS: The program will pull together a team of Egyptian and American journalists who are just starting out in their careers and provide them the opportunity to work together as a team to produce a GlobalPost “Special Report” on the impact of the revolution in Egypt. Applicants should have a college degree and at least two years experience in journalism.

Writers, photographers, videographers and/or bloggers interested in applying for this expenses-paid fellowship should send a resume, cover letter and links to at least three examples of your work to kgrant@globalpost.com.

Via: globalpost.com

Contact Information:

For inquiries: kgrant@globalpost.com

For submissions: kgrant@globalpost.com

Website: http://www.openhandsinitiative.org/

Deadline: 7 March 2012

The Natal Witness Printing and Publishing Company invites applications from suitably qualified and experienced Journalists for the position of a Senior Reporter.

Applicants must have an appropriate qualification (Degree/Diploma), journalism experience, and good writing skills. A good command of English and a broad general knowledge are prerequisites for this position. The ability to communicate in Zulu would be an advantage.

Applicants must have their own vehicle and those who do not meet this requirement will not be considered.

In return the Company offers competitive remuneration, pleasant working conditions and the usual benefits associated with a large organisation.

Applications must be headed "Senior Reporter" and must include a letter of application, giving details of driver's licence, and a comprehensive CV (of not more than four pages). Please send applications to:

THE HUMAN RESOURCES DEPARTMENT
P O Box 362, Pietermaritzburg, 3200
or delivered to:
45 Willowton Road, Pietermaritzburg
fax: 086-6830582 email: hr@witness.co.za

The Company reserves the right not to fill this position.

Applications close on Wednesday, 7 March 2012.

Applicants who have not heard from the Company within a month should please consider their applications unsuccessful. Certified copies of qualification certificates will be required at interviews.

The Company is committed to the transformation of the organisation to reflect and serve, as closely as possible, the demographic profile of our community.

Contact details
Janice Brisbane
The Natal Witness
+27 33 3551104
janice@witness.co.za

Via: bizcommunity

CONTACT INFORMATION:

For inquiries: janice@witness.co.za

For submissions: janice@witness.co.za

Website: http://www.witness.co.za/

Spotlight International is a monthly magazine aimed at the entire black race around the world, with particular focus on Africans. The magazine is published in London in a glossy, broad-page format. Mainly, it features profiles and biographies of highly successful people in all fields of human endeavour around the world. Our aim is to inspire the black population with these success stories and motivate them to higher levels of personal attainment and a better society.
We cover the whole gamut of politics, business, entertainment, Tourism, Leisure and sports. Due to expansion we are looking to recruit quality candidates for this advertised position.

Position Title: Deputy Editor

Duties:

* Coordinates editorial, art and production to ensure that magazine is turning out each issue in acceptable form and on time.
* Supervises copy editing and proofreading to ensure that the magazine is factually and grammatically correct.
* In charge of making sure that broad plans are in place for editorial content for at least six months in advance.
* Responsible for planning and writing features in speciality areas.
* Supervises assistant editors, freelance writers, designers and photographers.

Qualification & Requirement:

* A good first degree in communications, journalism, or English from any reputable institution.
* Creativity, curiosity, a broad range of knowledge, self-motivation, and perseverance are also valuable.
* Must demonstrate good judgement and a strong sense of ethics in deciding what material to publish.
* The ability to concentrate and to work under pressure is essential.
* Applicants must also need tact and the ability to guide and encourage others in their work.
* Familiarity with electronic publishing, graphics, Web design, and multimedia production increasingly is needed.

Remuneration

In return, we offer a generous remuneration package for the successful candidates. With the right aptitudes and motivation, your earnings potential is truly excellent.

Contact Information:

For submissions: apply here

Website: http://www.spotlightmagazineuk.com/

Deadline: 31 October 2011

Entries for this year's Bloody Parchment short story competition are open. The first prize includes one round of professional editing of a novella or novel-length work. Bloody Parchment will publish an anthology of the top 13 finalists, to be released in anticipation of the 2012 SA HORRORFEST.

Submission guidelines:

Email your entries to nerinedorman@gmail.com as attached .rtf or .doc files and place : “Submission: Bloody Parchment 2011 – [insert author name]” in the subject line. Standard manuscript format applies (Times New Roman, 12pt font; indented paragraphs; double spacing). Please include your contact details (full name, pen name, email address and telephone number if South African resident). This competition is open to South African and international entrants.

Please be a darling and read our rules and regulations for the finer details. The competition is open until October 31, 2011. Winners will be notified by e-mail, and announced on the HORRORFEST websites:

http://www.horrorfest.info/

http://www.shadowrealminc.com/

Submission guidelines:

Impress us. We do not claim to know what makes the perfect story, but as we are the judges and we get to choose the winner, it's only fair that we give some idea what we are looking for. In short, we are going to give the prize to the story that impresses us most and irritates us least. We don't think we're particularly irritable but with a stack of submissions to narrow down to a few winners, any small thing is likely to condemn a story to the larger pile. It's much easier to describe what will irritate us than what will impress us, so we've done that below.
More importantly, what will impress us is a narrative-based story with strong characters and an interesting plot. We know that's what everyone says and that desspite the huge amount that has been written on the subject, it still defies definition. We're not going to try to define it here because we're looking forward to reading entries that show us what it means. If you're looking for a concise description no more than a click away, we recommend http://www.internet-resources.com/stash/weirdtales-1.html

Genre. As this is part of the SA HORRORFEST, we are looking for stories of horror or dark fantasy. We are not going to be prescriptive about what that means as our definitions are fairly broad. A horror story need not contain a supernatural element, nor must a dark fantasy story give us nightmares. All we really ask for is the sense that the story belongs on the dark side.
Having said that, simply inserting an element associated with the darker genres will not be enough. A romance story about a tall, dark handsome vampire is still a romance story. A crime story about a demonic detective is still a crime story. Which leads on to the list of things that will irritate us.

Things guaranteed to count against you...

Bad usage. We are not going to throw your story out for one spelling mistake but we are all in love with the English language and we don't like to see her abused. Besides, repeated mis-spellings and grammatical errors are guaranteed to irritate.

Fanfiction. Any characters or settings still under copyright are likely to get us sued if we publish them. The idea of being sued irritates us so much that if we're in any doubt, we're not going to touch it even if the story is brilliant. As a general guide, anything published by Project Gutenberg (http://www.gutenberg.org/catalog/) is in the public domain.

Bigotry. Your characters may be as bigoted as you like but we're all pale-livered liberals and will be irritated by the sense that a story is derogatory toward any particular group of human beings. We don't mind stories derogatory toward imaginary beings.

Derivative stories. Between us, we've read quite a few books and seen quite a few films, and if any of us think a story is a rehash of one of them with slightly different characters, we are likely to be irritated. That's not to say that a story can't share ideas with other stories or films, and in fact it's practically impossible not to, but retellings nearly always have the sense of being second rate.

Twilight knock-offs. Need we say more?

Things that may irritate us if not handled carefully.

Gratuitous s3x. There's nothing wrong with a bit of s3x in a story, but the competition is part of the Horrorfest, not the Sexpo, and we are not looking for er0tica.

Gratuitous violence. As with s3x, vi0lence may be an essential part of the story and we enjoy a good punch-up as much as the next reader, but p0rnographic descriptions of violence get boring very quickly.

Excessive gore. We are not particularly squeamish and we are asking for horror stories, but gore is another element that gets boring when overdone.

Exposition. There are probably things that we need to know in order to care about the characters and understand the setting, but conveying information is a way that makes us feel we are being given an orientation briefing by the author is not conducive to a good narrative.

Tropes such as vampires, werewolves, serial killers, etc. These are staples of horror and dark fiction and we believe they have a lot of life in them yet. However, the fact of their being tropes also means that a lot has been done with them so a story that uses them will need to do something new.

Trying to shock us. We believe we are immune to being shocked. It may be interesting to be proved wrong, but depending on shock value to the exclusion of narrative and characters will not give us the impression that we are reading a good story.

Rules and regulations:

1. The entrant confirms that s/he is the original author of the work and has full copyright of the submitted work and that it is not subject any publication restrictions as a result of prior obligations (including, but not limited to previous publication) or disputes.

2. The entrant confirms that the work s/he submitted does not violate the trademarks, copyright, and/or rights of others and that any liability that may arise from their work will be solely theirs.

3. The entrant accepts that by entering this contest no obligation (direct or implied) exists for the submitted work to be published and/or any compensation accruing to the entrant.

4. The entrant will retain copyright of the submitted work. In the event that the work should be selected as a finalist in the contest, the entrant agrees upon submission that the contest organisers may publish in hardcover and electronic format an anthology containing their work (properly attributed to the author).

5. The entrant accepts without reservation that the decision of the contest judges are final and that no further correspondence will be entered into.

6. The contest is open for submissions from midnight on (July 7, 2011) until midnight on (October 31, 2011).

7. The contest is for short original fictional work written in UK or SA English within the theme of Halloween, horror, urban fantasy or dark fantasy. No fan fiction will be accepted. Work that is not narrative-driven and/or containing explicit and gratuitous violence, sex or any form of bigotry will be rejected.

8. The submitted work must not exceed (3 500) words in length and must be a complete work, not an extract from a longer piece.

9. A submission must be in the following format (or it will be rejected without correspondence to the entrant): an email attachment, saved as a rich text file (.rtf), only the title (without the author’s name, which will be recorded according to rule 10 below) and the text, no images or graphics, Times New Roman, 12pt font, double line-spacing, with page numbers in the right bottom corner of each page. The author's name should not appear in the attachment since the judging process relies on the majority of the judges not being aware of the author’s identity—those works that are selected as finalists will be reunited with the correct author name before the finalists are announced.

10. Submissions must be sent to the following address only: nerinedorman@gmail.com with the subject line: “Submission: Bloody Parchment 2011 – [insert author name]”.

11. The entrant accepts that once a work has been submitted it cannot be updated/edited in any way whatsoever by the entrant, other than changes that may be recommended by the judges of the contest. Resubmissions of works already submitted will be ignored.

12. The entrant undertakes not to withdraw a work once it has been selected as a finalist (barring cases where the contest organisers become aware of a violation of these rules or any other serious transgression involving the submitted work).

13. The contest organisers do not have the administrative capacity to enter into correspondence with entrants and will not confirm receipt of entries; entrants are advised to utilise the “request delivery receipt” function available with many email applications.

14. The entrant acknowledges that any violation of the letter or spirit of the above contest rules will lead to the immediate disqualification of his/her submission.

Contact Information:

For inquiries: nerinedorman@gmail.com

For submissions: nerinedorman@gmail.com

Website: http://bloodyparchment.blogspot.com

Deadline: 31 July 2011

As part of contributing to the African Women’s Decade (2010-2020) through provision of information on the themes of the Decade, the African Women’s Journal for July-December 2011 will focus on the theme: Women’s Education and Training in Africa.

Call for Papers: The African Women's Journal (July-December 2011)

THEME: Promoting Equal Opportunities for Women’s Access to Education and Training in Africa
The Beijing Platform for Action stresses that education is one of the most powerful and effective tool for women’s empowerment in Africa. However, limited access to quality education and training opportunities continues to hinder women’s equal participation in decision making, leadership and also in positively contributing to development in their countries. This is despite the fact that equal access to education is considered one of the fundamental human rights by the United Nations since it adopted the Right to education (Article 26) in 1949. Efforts to attain equal access to education and training for boys and girls; men and women have not yet resulted in gender parity at all levels including in adult education programmes.

As part of contributing to the African Women’s Decade (2010-2020) through provision of information on the themes of the Decade, the African Women’s Journal for July-December 2011 will focus on the theme: Women’s Education and Training in Africa.

The Journal articles will focus on any of the following sub-themes:-

· Strategies being used to attain equal access to education and training in African countries
· The untold stories in the African continent: some unique examples of literacy programmes and innovations that are transforming the lives of women, their families, communities and societies
· The role of adult and continuing education in boosting women’s empowerment and sustainable development in Africa
· Galvanizing African governments to allocate sufficient resources for and monitor the implementation of educational reforms
· From policy to practice: Expanding opportunities for women and girls’ education

Guidelines:

For those interested to submit articles, kindly send us an ABSTRACT of your article on or before 31st July, 2011. The abstract should be written in English or French and must not be more than 200 words.

You will be notified if your abstract has been approved. Only writers with selected abstracts will be asked to submit full article, which must be written in English or French and should be between 800 to 2,000 words. The article also needs to be well researched with clear referencing. A guideline for referencing will be provided. We will also require pictures relating to the article. (NB: The picture will have to be in Jpeg format). Including a brief biographical note, contact information with a JPEG mug shot picture of yourself in high resolution. Deadline for submission of FULL ARTICLE will be 30th August, 2011.

Please note the following key deadlines

• Abstract should be submitted by 31st July, 2011
• Full Article should be submitted by 30th August, 2011

For inquiries: admin@femnet.or.ke or communication@femnet.or.ke

For submissions: admin@femnet.or.ke or communication@femnet.or.ke

Website: http://www.femnet.or.ke/

Deadline: 12 May 2012

The Holy Quran is the Divine Book and the unrivaled and insurmountable miracle of Allah the Almighty, brought by the Prophet Muhammad (PBUH).

So far 14 centuries have passed and nobody could have challenged its sublime language and style. The authenticity of its contents has shed light for the mankind, especially for its devout and ardent followers.

The brilliant verses of the Quran contain what is necessary for the felicity of the mankind. Therefore, the mankind has been in debt to the teachings of the Holy Quran, for it contains the ways to reach full development and spiritual proximity to the Almighty Allah. In the light of this capacity, the Quran exegetes and researchers have made extensive research to find out more about the solutions offered for the crisis of the mankind, past and present. In view of this capacity, the cultural division of Iranian endowments & charity affairs organization and the University of Quran Sciences and Knowledge (based at Qom) have decided to schedule a conference for upgrading the echelon of cultural enrichment on an international level through holding the 29th International competitions of Holy Quran. The sessions held will deal with articles submitted for participation in the competition. It is hoped that such contributions will lead to exploring more so-far-hidden aspects of the miracle of the Holy Quran. A selection of the articles will be published in the proceedings of the conference.

MAIN ISSUES AND SUBORDINATE TOPICS FOR WRITING QURANIC ARTICLES:

I. QURAN AND ISLAMIC AWAKENING

1. Foundations and characteristics of Islamic Awakening from the Perspective of the Holy Quran

2. Mechanisms of Realization of Islamic Awakening based on the Teachings of the Holy Quran

3. Causes of Deviation of Muslim Communities from Divine Goals in the Movements of Islamic Awakening from the Perspective of the Holy Quran

4. Factors and Mechanisms of safeguarding and Continuation of Islamic Awakening from the Perspective of the Holy Quran

5. Islamic Awakening and Materialization of Divine promises in the Holy Quran

6. Pathology of Islamic Movements according to the Holy Quran

7. Analysis of the Role of Zionism in the Deviation of Islamic Movements according to the Teachings of the Holy Quran

8. Ways of Interference of the West in the Movements of Islamic Awakening and Mechanisms of Counteracting them from the Perspective of the Holy Quran

9. Role of Unity in the Realization and Continuation of the Movements of Islamic Awakening and Conspiracies of Enemy in Opposing this Role according to the Holy Quran
10. Role of Leadership in the awakening of Muslim Communities according t
o the Holy Quran

11. Role and Position of the Teachings of the holy Quran in Realization, Organization, and Leading of Islamic Movements

12. Role and Position of Enlightened Youth in the Movements of Islamic Awakening according to the Teachings of the Holy Quran

13. Role of Women in the Movements of Islamic Awakening according to the Teachings of the Holy Quran

14. Characteristics of Islamic Awakening in the Islamic Revolution of Iran and Comparing them to the Recent Islamic Movements in the Light of Quranic Criteria

15. Necessity of the Establishment of a Just Islamic Government according to the Holy Quran

16. A Study of the Political System of the Islamic Republic of Iran as a Quranic, Islamic Example of a highly Qualified and Desirable System

II. THE HOLY QURAN AND PERFECTION OF HUMAN SOCIETY

1. Nature of Perfection and Spiritual Happiness in the Holy Quran

2. Features of Perfect Human Being in the Holy Quran along with a Study of Examples

3. Islamic Lifestyle according to the Holy Quran and Islamic Teachings

4. Position of Islamic Morality in the Teachings of the Holy Quran and its Role in the Perfection of Individual and Society

5. Nature of Islamic Ethical Values in the Holy Quran and Comparing them to the Ethical Norms of Western Foundations

6. Mechanisms of Realization of Islamic Morality towards Reaching a Perfect Society according to the Holy Quran

7. Factors of deviation of society from Moral Values as Examples of Cultural Invasion and Mechanisms of Counteracting them according to the Holy Quran

8. Ethical Pathology of the Youth and Mechanisms of Counteracting Moral Deviations according to the Holy Quran and Islamic Teachings

9. Quranic Mechanisms towards the Immunity of the Society against Dangerous Effects of Satellites, Internet, Computer Games, ……

10. Ways and Means of Benefitting from the Capacity of New Media and communication towards Materialization and Development of a Quranic Society

11. Role of Family in Counteracting Cultural Invasion, and Promotion of the Culture of Islamic Decency in the Society according to the Holy Quran

12. Role of Family in Safeguarding the Society and Mechanisms of its Realization based on the Holy Quran

WRITING STRUCTURE/FORMATTING

The Structure of Writing Essays for 29th International Competitions of Holy Quran

1- The structure of essay should follow: title, abstract, key words, introduction, main body text, conclusion, endnote (if there is), and references.

2- At the end of any quoted sentences should mention to the reference in a parenthesis as: (name and sure name of the author, published year, volume, page).

Note 1: repeated references should mention as the same first time. Do not use words like Ibid, opt …

Note 2: If there is more than a works for an author, specify it by alphabetical letters.

3- Additional explanations and proper names or expressions should come at the end of main body text titled endnote (references here would be as the same main body text that noted above).

4- References should sort based on alphabetical arrangement as:

• Book: sure name and first name (published year), title, translator (if there is), publication location, publisher, publishing number, volume.

• Essay: sure name and first name (published year), title, the name of journal, volume.

5- Abstract should contain 300 words including: JEL classification, title, subject, methodology of research and its most consequences, key words (utmost 10 words)

• Papers should select in a form of with margins: top 2cm, bottom 2.5cm, right and left 2cm.

• Essays should write in one column.

• Font should be Times New Roman 14

• Line spacing should be single.

KEY POINTS:

• Whole document should contain 25 pages of 300 words.
• It should have not published anywhere else.
• Accepted essays will publish in a proceeding of 29th essays of international competition of holey Quran.

Notification of paper acceptance: 10 June 2012

Online submission will be available in: March 10

CONTACT INFORMATION:

For inquiries: via their online contact form

For submissions: submit online here

Website: http://www.pmfso.ir

Deadline: 30 June 2012 (September/ fall issue), 18 November 2012 (second anniversary issue)

aaduna seeks to uncover new and emerging creative visionaries, especially people of color, in the realm of fiction, poetry, non-fiction, and the visual arts.

SUBMISSION PHILOSOPHY

aaduna seeks to broaden the current online paradigms associated with publishing works by emerging writers and artists especially for people of color. From a multicultural viewpoint, aaduna comprehends the fact that while cultures and ethnicities tend to exist separate from each other, that development is a political, social, and contrived construct. Therefore, aaduna seeks to erase such artificial distinctions, and welcomes submissions from emerging writers and visual artists whose work goes beyond expectations based solely on physicality or cultural characteristics. While aaduna is primarily interested in providing a viable publishing platform for people of color, the world is huge, and there is a widening audience for other artists whose creativity reflects voices that are divergent; voices that are powerful, and voices committed to change.

The aaduna editorial policy is committed to presenting work in the manner and style that reflects how the creative person behind the work wants to see that work presented to the public, realizing that the most effective judge of any work's quality and import ultimately rests within the marketplace. It is within this reality that aaduna will be a conduit for providing the public with works that are stimulating, enjoyable, insightful, open for vigorous discussion, and in some measure, a catalyst to embolden the intellect, imagination, and human spirit.

aaduna does not provide honorarium. However, aaduna will work with each published artist to build an appropriate platform that may lead to a wide variety of market opportunities.

THE PROCESS (UNPUBLISHED WORK ONLY)

Submitters must complete steps 1 & 2.*

STEP 1.

Mail one copy of your titled double-spaced short story, essay, or self-contained novel excerpt. Please print the work on one side of the page. You may send no more than two pieces of prose.

You may submit up to three poems at a time. Please set your poem as it should appear in print. Three poems will count as the equivalent of one prose submission.

Visual artists should forward work that is self-contained and projects a thematic story. (12-15 images in jpeg format) Submit the work electronically in a slide-show or video format (WMV) applicable to Word or PDF document review and videographers must mail a DVD of the work. Visual artists are limited to one submission.

Mail your material in a manila sized envelope on or before the submission deadline. Make sure you enclose a cover letter, bio, and all necessary contact information.

Mail to:

aaduna
144 Genesee Street Suite 102-259
Auburn, New York 13021
Attention: Keith Leonard, Submissions Manager

STEP 2.

E-mail the same information that you mailed, to submissionsmanager@aaduna.org

aaduna will acknowledge receipt of submitted material via e-mail.

*If step 1 would prevent you from submitting to aaduna, indicate this fact in your cover letter and request that aaduna waive this step.

aaduna reserves the right to amend all dates due to unforeseen circumstances, and may notify submitters on a rolling basis. Submitters may contact aaduna via the submissions manager at any time

CONTACT INFORMATION:

For inquiries/ submissions: submissionsmanager@aaduna.org

Website: http://aaduna.org/

Deadline: 23 March 012

JOURNALIST/COPYWRITER (REF. ADV/84/0312)

The Communication and Liaison Division is responsible for the effective strategic institutional communication, and to support the fundraising objectives of the HOPE Project. The Division is responsible for media liaison, various printed and electronic publications, coordination of campus events and the management of the University's corporate identity.

DUTIES:

· Compiling copy/articles for the University's institutional news platforms;
· involved in other activities of the media office;
· working closely with the senior media practitioner and the electronic communication team;
· writing news articles on various university topics and activities for internal and external distribution;
· compiling institutional electronic newsletters, e.g. weekly staff Boschtelegram;
· editing and translating news copy;
· proofreading various publications;
· gathering information for various communication projects, including media releases;
· supporting institutional communication campaigns.

REQUIREMENTS:

· Degree in Journalism/Communication;
· three years' experience in journalism, amongst others in electronic media;
· excellent writing skills in Afrikaans and English are essential (because the department functions in a multilingual environment);
· accurate reporting and thorough editing skills;
· willingness and availability to work after hours quite often and at short notice;
· ability to work fast and under pressure and to meet deadlines without compromising on accuracy;
· computer skills (MS Office);
· a valid Code EB driver's licence and own transport.

RECOMMENDATIONS:

· Knowledge of science and technology journalism;
· experience with electronic newsletters;
· experience in photojournalism.

Commencement of duties: 1 June 2012

Enquiries regarding this position: Ms Susan van der Merwe on +27 21 808 4634

Enquiries regarding remuneration and benefits: Human Resources Client Service Centre on +27 21 808 2753

The University will consider all applications in terms of its Employment Equity Plan, which acknowledges the need to diversify the demographic composition of the staff corps, especially with regard to the appointment of suitable candidates from the designated groups.

The University reserves the right not to make an appointment.

Your application, comprising a comprehensive curriculum vitae (including the names and contact details of at least two referees), must reach the University before or on the closing date of the advertised post.

Candidates may be subjected to appropriate psychometric testing and other selection instruments.

Should no feedback be received from the University within four weeks of the closing date, kindly accept that your application did not succeed.

Via: bizcommunity

CONTACT INFORMATION:

For inquiries: call +27 21 808 4634

For submissions: apply online at http://www.sun.ac.za/vacancies or click here

Website: http://www.sun.ac.za/vacancies

Deadline: 30 April 2012

University of Stellenbosch Business School (Bellville Park Campus)

COPYWRITER/JOURNALIST (REF. EBW04/124/0412)

DUTIES:

• Writing appropriate text for brochures, websites, magazines, newsletters, media releases, invitations and other communication content and marketing material of the USB
• sourcing information by conducting interviews, undertaking electronic searches and processing information
• editing and translating text.

• Honours degree in Communication Science/Journalism
• at least 5 years' experience as a text writer
• proven experience of writing text for publications and websites
• excellent communication and journalistic (writing) skills in Afrikaans as well as English
• proven experience of writing, editing and translating business-oriented text
• the ability to work as part of a team as well as independently
• sound judgement skills and attention to detail
• ability to work under pressure and keep to tight deadlines
• computer literacy.

• Knowledge and/or experience of the higher education industry
• experience of corporate publications
• knowledge of isiXhosa.

The University will consider all applications in terms of its Employment Equity Plan, which acknowledges the need to diversify the demographic composition of the staff corps, especially with regard to the appointment of suitable candidates from the designated groups.

The University reserves the right not to make an appointment.

Your application, comprising a comprehensive curriculum vitae (including the names and contact details of at least two referees), must reach the University before or on the closing date of the advertised post.

Candidates may be subjected to appropriate psychometric testing and other selection instruments.

Should no feedback be received from the University within four weeks of the closing date, kindly accept that your application did not succeed.

CONTACT INFORMATION:

For inquiries: Enquiries regarding this position should be made with Ms Amanda Matthee on 021 918 4354. Enquiries regarding remuneration and benefits should be made with Human Resources Client Service Centre on 021 808 2753.

For submissions: apply here

Website: http://www.sun.ac.za

Deadline: 27 May 2012

This annual contest comes from a 1951 Langston Hughes poem: What Happens to a Dream Deferred?. Just as the poem helped propel the civil rights movement in the U.S., today it can inspire your dream deferred for the Middle East. The contest has two parts: one for Middle Eastern youth and one for American youth. Please answer one of the questions below - but first make sure to read the rules & guidelines. Winning essays - selected by a panel of celebrity judges - receive $10,000 in prizes.

$10,000 IN PRIZES:

• $2,000 for 1 grand prize winner each in Mideast & U.S.
• $1,500 for 1 second place winner in each region
• $500 for 3 runners-up in each region
• 50 book prizes for additional outstanding essays.

Your Story: How does civil rights abuse in your local community impact you? Share a defining moment where you experienced civil rights restrictions (censorship, discrimination, etc.). How did this incident change you? Will your children's generation still face such repression?

Freedom: Given the historic changes in the Mideast over the past year, do you feel more or less free? Reflect on changes in the region and in your local community. Explain, with examples, whether you enjoy greater rights today than a year ago. Do you expect to be more free a year from now?

In the Streets: If you participated in grassroots protests against repression during the past year, why did you join and what did you learn? Describe in vivid detail what you experienced, as well as how your life - and your attitude on individual rights - has changed. What challenges remain now?

Advocacy: How can individual rights be secured in the Mideast’s new reality? Dictators may have fallen, yet individual rights remain fragile. What can you do to protect the rights of vulnerable members in your local community (women, minorities, etc.). Propose a concrete action plan.

Dream: What is your “dream deferred”: a vision of your society with civil rights for all? Share your dream of a civil rights movement in your community. If you like, write a mock newspaper article from the future reporting on the effort.

Film Fest: In 2008, an essay contest winner organized the first-ever Cairo Human Rights Film Festival. When authorities blocked theatres from hosting screening, she held the opening on a Nile River boat. Be inspired and share your vision for a similar festival in your community: What films will you show? How will you overcome obstacles?

Viral Video: You have been given $1,000 to make a short video (1-4 mins) about individual rights in your society. Share the script, which can expose repression, showcase a campaign or dream of a better future. Bonus: Make the film and provide a YouTube link.

RULES FOR THE "DREAM DEFERRED ESSAY CONTEST"

Check out the Guide to Writing a Good Essay, which includes helpful tips for each question.

Who can enter the contest?

Entrants must be 25 years old or younger as of the contest deadline: May 27, 2012. Entrants must reside in Arab League member states, Iran, Afghanistan, or the United States. There is no minimum age requirement, and entrants do not need to be students. Prizes are awarded as cash, not scholarships.

Foreign Students: If you are a foreigner currently studying in the US, you can enter the contest. If you are a Middle Easterner studying in the US, answer one of the questions posed to Middle Easterners. If you are a citizen of the Middle East temporarily living outside the region, you can still enter the contest. If you are an American currently living overseas, you can enter the contest.

Equal Opportunity: All essays are evaluated without regard for race, religion, gender, or sexual orientation of the author, as well as other classifications protected by applicable international US laws.

How long should entries be?

Essays should be at least 600 words, but no longer than 1,500 words. Footnotes, citations, and essay title do not count towards the word limit.

Can an essay entry remain anonymous?

If do not want your name made public in the event your essay is selected as a winner, check the "anonymous" box when submitting your essay. Several past winners have chosen this option.

When will AIC announce the winners?

Winners will be notified (and announced on our web site) by Summer 2012. Judges evaluate each essay for clarity, creativity, and persuasiveness to determine prize winners.

What are common mistakes to avoid when writing an essay?

Do not focus on US government policy and regional geo-politics (the Iraq War debate, the Arab-Israeli-Iranian conflict, Iran's nuclear program, etc.). Essays based on these topics are disqualified. Judges are looking for essays that explore what ordinary citizens can do on the grassroots level to strengthen individual rights within Middle Eastern societies. These civil rights include, but are not limited to, free expression, women's equality, minority rights, religious freedom, economic liberty, and artistic freedom. Check out the Guide to Writing a Good Essay, which includes helpful tips for each question.

How can a brief essay cover the broad topic of civil rights in the Mideast?

There are several ways to address this challenge. Past prize winners have discussed the larger problem of civil rights abuses across the Middle East with a range of examples. Others have focused on one particular country (Middle Eastern participants are strongly encouraged to address their own society). Others have focused on a particular kind of civil rights abuse (e.g., press censorship). There is no one "right" answer to any of the essay questions. Check out the Guide to Writing a Good Essay, which includes helpful tips for each question.

Do essays have to be original and does AIC retain the right to reprint essays?

Yes and yes. Makes sure any quotations or outside intellectual material have citations. All essay submissions become the property of the contest's sponsor: the American Islamic Congress. At the same time, entrants can republish their essay on their own (e.g., on a blog, for a class paper, etc.) and use ideas for other writing.

2012 CELEBRITY JUDGES FOR "DREAM DEFERRED ESSAY CONTEST"

Amber Lyon

Amber Lyon is a three-time Emmy award-winning journalist and correspondent for CNN, where she helps produce investigative reports and documentaries. She covered the Bahraini nonviolent movement on the ground, and was attacked by Bahraini police. Since then she has become one of the most cited American journalists on the struggle for civil rights in Bahrain.

Ahmed Benchemsi

Benchemsi co-founded Morocco's groundbreaking and best-selling weekly magazines TelQuel and Nichane, which made international headlines with taboo-busting cover stories on the salary of Morocco's king, opinion polls, free speech and more. Benchemsi has been recognized for his pioneering journalism with fellowships at the Los Angeles Times and Newsweek. At the same time, he faced on-going legal intimidation and recently left Morocco to serve as a fellow at Stanford University.

Marietje Schaake

Marietje Schaake is a Dutch politician who has served as a member of the European Parliament since July 2009. The Wall Street Journal identified her as “The Most Wired Politician in Europe”. She has introduced numerous resolutions and inquiries to support the civil rights movement in the Mideast and North Africa before and after the Arab uprisings.

Parisa Montazaran

Parisa Montazaran is the first Muslim to appear on the MTV hit show The Real World. A first-generation Iranian-American, this reality TV star is currently lecturing at universities on diversity, Muslim youth in America, cross-cultural and inter-faith understanding, and female/minority empowerment. Parisa hopes to leverage her freedom in the US to promote change back home in Iran.

Jane Novak

Jane Novak is a leading player in the Yemeni struggle for reform, press freedom, and women equality - and she does it all from her New Jersey home. This stay-at-home mother first became interested in Yemen in 2004 when she learned about the imprisonment of journalist Abdulkarim al-Khaiwani. Novak began to publicize his case on her blog and launched a petition calling for al-Khaiwani’s release. The petition soon garnered 1,000 signatures, and Novak was profiled in the New York Times.

Nasser Weddady

The son of an ambassador, Weddady grew up throughout the Middle East and witnessed firsthand the toll of civil rights repression. As an adult he became an outspoken human rights activist and had to flee to the US as a refugee in 2000. A few days after September 11, he was mistakenly detained by the FBI. Today, he organizes workshops for Middle Eastern activists and helps lead campaigns to free dissidents. He is the co-editor of "Arab Spring Dreams," a new anthology featuring outstanding writing from this essay contest.

CONTACT INFORMATION:

For submissions: submit your essay online here

Website: http://www.aicongress.org/